7.03 Chapter 7: Secular Song and National Styles in the 16th Century

123456789101112131415161718
Across
  1. 4. The use of pitches outside the standard diatonic scale, enhancing emotional expression.
  2. 5. A form of notation for lute music, indicating finger placements rather than pitches.
  3. 8. An ensemble of professional female singers in Ferrara known for virtuosic performances.
  4. 11. Composer who bridged the Renaissance and Baroque eras, transforming the madrigal and opera.
  5. 12. A devotional song often used in worship during the Renaissance.
  6. 13. An English composer who wrote madrigals and instrumental music.
  7. 14. A light, dance-like English madrigal often featuring fa-la-la refrains.
  8. 15. A Renaissance composer known for his chansons.
  9. 17. A popular secular song in Italy during the late 15th century.
  10. 18. A composer known for his intense use of chromaticism and dramatic shifts in his madrigals.
Down
  1. 1. A Franco-Flemish composer known for his early madrigals.
  2. 2. A composer who introduced chromaticism in his madrigals.
  3. 3. A composer known for his melancholy lute songs.
  4. 5. A popular English genre for solo voice with lute accompaniment.
  5. 6. A French printer who popularized music printing.
  6. 7. A collection of English madrigals celebrating Queen Elizabeth I.
  7. 9. A prolific composer of sacred and secular music from the Franco-Flemish school. MusicaTransalpina A collection of Italian madrigals translated into English, influential in England.
  8. 10. A Spanish musical form resembling the Italian frottola, typically with a refrain.
  9. 16. A polyphonic vocal composition, transformed from Italian Trecento to express complex emotions in poetry and music.