AP Music theory review

1234567891011121314151617181920212223242526272829303132333435
Across
  1. 7. all ACs that are not PACs, with also viio - I
  2. 11. shape of the melody
  3. 13. relatively independent musical idea terminated by a cadence
  4. 14. cadence anything to vi
  5. 16. a harmonic goal, specifically the chords used at the goal
  6. 19. IV to I
  7. 20. taking a melodic line and moving some of the notes into a different octave
  8. 22. 3rd and 5th of a root position triad are embellished by upper neighboring tones, bass is stationary, usually occurs on weak beat
  9. 23. 7 in bass
  10. 25. harmonizes a bass passing tone, usually on unaccented beat
  11. 29. period both phrases begin with similar material
  12. 30. accompanying melody sounding against the principle melody
  13. 31. V or viio to I
  14. 32. the ways in which composition is shaped
  15. 34. sequences are repeated, indicated by repeat sign, capo, or segno
  16. 35. division of a musical idea into segments
Down
  1. 1. rhythm rate at which chords change
  2. 2. I6/4 to V to I, precedes the dominant, often at a cadence, embellishes dominant
  3. 3. smallest identifiable musical idea, can consist of pitch pattern, rhythmic pattern, or both
  4. 4. ends in V
  5. 5. pattern that is repeated immediately in the same voice but that begins on a different pitch class
  6. 6. V(7) to I (with tonic in soprano)
  7. 8. series of roots related by descending 5ths (and/or ascending 4ths)
  8. 9. terminal phrase in a period, strong cadence (answer)
  9. 10. 3 in bass
  10. 12. melody flipped upside down
  11. 15. two or more phrases in antecedent-consequent relationship, ends in cadence
  12. 17. first phrase in a period, weaker cadence (question)
  13. 18. 5 in bass
  14. 21. created by arpeggiation of the triad in the bass
  15. 24. iv6 to V in minor
  16. 26. delay of cadence by addition of material
  17. 27. period in which phrase beginnings are not similar
  18. 28. 1 in bass
  19. 33. to write or play music in some key other than the original