Beyond Cliche - Overlap

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Across
  1. 6. A temporal arrangement
  2. 7. Spectacles on a page perhaps
  3. 8. "Don't ______ me on that."
  4. 11. Fabric fashion in noun-verb duality
  5. 13. Bibliophile's manual
  6. 15. Ingredients to spice up a book perhaps like in Alexander's The Light of the World or Kimball's The Dirty Life
  7. 16. (im)perfect poet Newman
  8. 18. Another example of {visual aids clue #} shared by Don’t Let’s Go to the Dogs Tonight & In a Sunburned Country
Down
  1. 1. Example of {visual aids clue #} used in The Grace of Silence & Don’t Let’s Go to the Dogs Tonight
  2. 2. Pluralized start of old-time newspaper street vendor catchphrase; collection of {clue #s here}
  3. 3. A more traditional beginning in Bird in Hand & The Dirty Life, a more ‘definitive’ beginning in Newman's poem Minyan
  4. 4. Literature in disguise?
  5. 5. See {insert related parentheses clue info here}: This author’s choice to offset important information – sometimes perhaps the most important details – in parenthetical statements sets up a nice juxtaposition for the reader between playful, even seemingly ancillary material with heavier, meaningful primary subject matter. This maneuvering serves to draw attention more directly to content presented in effect incidentally.
  6. 9. {see chronology clue}; this author plays around with it by merging past and present in the essay Photograph
  7. 10. {see chronology clue}; Baker Kline reverses it via these formatted flashbacks
  8. 12. See {related weather clue info}: Shelby Smoak does a powerful job using vivid imagery of the natural world to represent the experience of his body through manifestations in the physical world, effectively writing himself into the landscape in his memoir entitled this
  9. 14. A more traditional ending in Bird in Hand & The Dirty Life, a more ‘definitive’ ending in Reiderer's essay Patient
  10. 17. Author’s statement of indebtedness, in brief