Chapter 5 Vocab
Across
- 4. - a low protective wall along the edge of a roof, bridge, or balcony.
- 6. - a projecting grooved element alternating with a metope on a Greek temple
- 8. - a decorative band, usually, but not always, above a doorframe or on the wall near the ceiling.
- 11. - a plain, unornamented lintel on the entablature
- 14. - an asymmetrical arrangement of the human figure in which the line of the arms and shoulders contrasts with while balancing those of the hips and legs.
- 15. Sculpture - sculpture that projects from a flat background. A very shallow relief is called a bas-relief
- 18. (pl: propylaea) - a gateway leading to a Greek temple
- 20. (male: Atlantid) - a building column that is shaped like a female figure
- 21. cornice - either of two straight, sloping cornices on a pediment following or suggesting the slopes of a roof.
- 22. - a small relief sculpture on the facade of a Greek temple
Down
- 1. - building with a portico (porch that leads to an entrance of a building) at each end and no columns across the sides
- 2. temple design - one of three architectural orders, characterized by fluted columns and capitals with scroll like elements.
- 3. the main room of a Greek temple where the god is housed; a row of columns surrounding a space within a building such as a court or internal garden or edging a veranda or porch
- 5. a continuous flat coping or pavement supporting a row of architectural columns
- 7. a colonnade a surrounding a building or court
- 9. temple design - oldest and simplest of the three orders of classical Greek architecture; no base
- 10. - “high city”; a Greek temple complex built on a hill over a city
- 12. upper story of a greek temple; a horizontal part in classical architecture that rests on the columns and consists of architrave, frieze and cornice
- 13. temple design - A more ornate form than Doric or Ionic;the capital consists of a double row of acanthus leaves from which tendrils and flowers grow, wrapped around a bell-shaped echinus.
- 16. The architects of the PArthenon believed that perfect beauty could be achieved by using harmonic proportions. The ratio for larger and smaller parts was (x=2y+1) i.e. a plan of 17 x 8 columns
- 17. - body of a column
- 19. - In classical architecture, the triangular space at the end of a building, formed by the ends of the sloping roof above the colonnade; also, an ornamental feature having this shape.