Chapter 7

4. Unaccompanied with two to eight voices as opposed to trecento version, which is a composition for two voices
7. Predecessor to the Madrigal
10. Ensemble of professional female singers of late Ranaissance music in Italy, first and most influential group in Ferrara
13. Au joly boys. C'est une dure departie. Content desir, qui cause ma douleur
14. Donna ti voglio cantare, Eternal Wait, Ethelion
15. shows a lute player where to place the fingers on the fingerboard in order to produce certain pitches, instead of showing the pitches themselves
17. Come, heavy sleep. I saw my Lady weepe. Now o now I needs must part.
19. The Complete Motets, Seine Werke in zeitgenössischen Drucken
20. Ave Maria, Amor, to sai pur fare, Ancidetemi pur

1. L'Orfeo, Lasciatemi morire, L'Arianna
2. Book of Madrigals, compiled and published by Thomas Morley
3. compositional technique interspersing the primary diatonic pitches and chords with other pitches of the chromatic scale
5. Baci soavi e cari. Madonna, io ben vorrei.
6. 1 madrigali, 2 primo libro de madregali cromatici, Motetta
8. Foramlized dance form
9. Italian poetry or nonliturgical devotional song in praise of the Virgin Mary, Christ, or the saints.
11. music style, written for solo voice with accompaniment, usually it's namesake
12. Collection of Madrigals published by Nicholas Yonge in 1588
16. Laboravi in gemitu meo, De profundis clamavi
18. Spanish poetic and musical form, no accompaniment, devotional or love poems