Elements of Art, Principles of Design, Art Command Terms

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Across
  1. 3. is the distribution of the visual weight of objects, colors, texture, and space.
  2. 8. is the repeating of an object or symbol all over the work of art.
  3. 9. is the feeling of harmony between all parts of the work of art, which creates a sense of completeness.
  4. 10. To improve incrementally, elaborate or expand in detail. Evolve to a more advanced or effective state.
  5. 12. is a mark with greater length than width. It can be horizontal, vertical, or diagonal; straight or curved; thick or thin.
  6. 16. The action required to evolve ones thoughts or imaginings into a work, product, outcome or invention.
  7. 18. is the feeling of unity created when all parts (sizes, amounts, or number) relate well with each other.
  8. 20. Apply knowledge or rules to put theory into practice.
  9. 22. Assess the implications and limitations; make judgements about the ideas, work, solutions or methods in relation to selected criteria.
  10. 23. Prove or make clear by reasoning or evidence, illustrating with examples or practical application.
  11. 25. works with pattern to make the work of art seem active.
Down
  1. 1. Provide a critical review or commentary, especially when dealing with works of art or literature.
  2. 2. is a closed line. It can be geometric, or organic. They are flat.
  3. 4. is the part of the design that catches the viewer’s attention.
  4. 5. Give a brief account.
  5. 6. Express precisely and systematically the relevant concept(s) or argument(s).
  6. 7. is light reflected off of objects.

Texture is the surface quality that can be seen and felt.
  7. 11. Undertake a systematic process of discovery.
  8. 13. Provide an answer from a number of possibilities. Recognize and state briefly a distinguishing fact or feature.
  9. 14. Offer for display, observation, examination or consideration.
  10. 15. is the path the viewer’s eye takes through the work of art.
  11. 17. is created when one or more elements of design are used repeatedly to create a feeling of organized movement.
  12. 19. is the area between and around objects.
  13. 21. is the use of several elements of design to hold the viewer’s attention and to guide the viewer’s eye through and around the work of art.
  14. 24. these are three-dimensional shapes expressing length, width, and depth.