Fitts & Posner - Stages of Motor Learning

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Across
  1. 1. Performance of the skill in the cognitive stage is characterised by a lot of these.
  2. 6. When the performer enters the associative stage, they have already acquired the basic ________ of the skill.
  3. 7. Skills in the autonomous stage can be performed without thinking regarding their ________ ________.
  4. 8. These are eliminated in the associative stage as the performer's skill level improves rapidly.
  5. 10. The coach should introduce practices in the autonomous stage that replicate a ________ ________ and limit the amount of time and space available for skill execution.
  6. 13. As kinesthetic feedback becomes more established, there is less reliance by the performer on ________ ________.
  7. 16. If a person doesn't have enough of this with regard to learning, they may not progress past the cognitive stage.
  8. 17. Skill performance in the autonomous stage is characterised by a high degree of consistency, ________ and reliability.
Down
  1. 2. Performers can focus their attention away from the execution of skills and more on tactics and ________.
  2. 3. This is an essential feature of the cognitive stage so the performer can see what the skill looks like.
  3. 4. In the cognitive stage the emphasis is on ________ or getting a mental picture of the whole skill.
  4. 5. In the autonomous stage, performers can ________ and correct their own errors with minimal input from the coach.
  5. 9. This type of feedback (from within the body) takes on a greater role in the associative stage.
  6. 11. Feedback becomes increasingly more ________ from the coach or teacher in the associative stage.
  7. 12. This is required as soon as possible and regularly throughout the first practice sessions after learning a new skill.
  8. 14. The emphasis in the associative stage of learning is the correct timing and ________ of the movement patterns.
  9. 15. Extensive ________ of the skill is a major feature of the associative stage.