George Frederick Handel
Across
- 2. Unfortunately, the Royal Academy of Music was not successful because of the ____ of English operas.
- 3. Handel was also recognized for his instrumental compositions, which included impressive _________ and orchestral suites, like Water Music (1717).
- 5. After Italian operas became less popular, Handel focused his talents on English oratorios because he noticed that they did not require highly _________ foreign singers, props and scenery.
- 7. By the time he was 25, Handel was earning 1420 more dollars than the other famous European composer at the time, ____.
- 9. English oratorios became very popular in England as Handel’s performances, which were based on _______ stories, got many of the British interested.
- 12. Handel liked to help out local hospitals in his town so he played for several of these types of parties in order to raise money for the community.
- 13. Handel played as a ______ violinist in the opera house orchestra in Hamburg, Germany after attending the University of Halle.
- 14. In 1720, Handel founded the Royal Academy of Music, in hopes of presenting and promoting this kind of opera in England.
Down
- 1. Handel’s Messiah is most noted for its exciting choruses and graceful solos. Handel was focused on making the ________ smooth, modest and clear.
- 3. Handel passed away in 1759 after his loss of eyesight, but his health problems did not stop him from __________ his own performances until just days before his death.
- 4. Before he created oratorios, Handel was great at pleasing aristocrats with this type of opera because he took the unique qualities of Italian, French and German operas and added a traditional English chorus to make the perfect opera performance.
- 6. “Julius _____” was one of Handel’s most successful and sensational opera-seria works.
- 8. Handel preferred using this type of harmony, which was quite different to the chromatic harmonies that Bach preferred.
- 10. One of his most successful oratorios includes “Israel of Egypt” and “_______.”
- 11. Handel was always actively producing, directing and ______ his own operas.