Hair Design Review

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Across
  1. 5. Triangle shapes are used to achieve straight movement in ___ direction.
  2. 6. The size of the curl will be determined by the ________ of the tool/pincurl.
  3. 7. Base control used when the hair is held 90 degrees from the center of the base, & the tool sits in the lower portion of the base, but not on or below the parting; results in reduced volume & base strength.
  4. 8. The point of ______ is the place in a design where motion begins, or the beginning or the movement within a shape or design.
  5. 12. You are going to observe the overall direction in which the hair is moving and identifying the directions within the form during the ________ level of observation.
  6. 13. Straight/Curvature ______ creates lift and fullness; base and strand are lifted and the ends turn under.
  7. 15. _________ shapes are the foundation of design and are incorporated in setting patterns.
  8. 16. Dry molding is performed on the _______ of the hair to retrace and reinforce the established lines of the design.
  9. 17. Arranging hair to create a temporary change in form, texture and direction of the finished design is known as hair ______.
  10. 21. _________ forms consist of a combination of unactivated and activated textures, with a weight area occurring where the two textures meet.
  11. 24. Curvature shapes imply motion and are generally used to create curvature directions or waves; include circles, _____ and oblongs.
  12. 26. Wet and thermal design skills are often used during the ___________ of a long hair design.
  13. 27. Identifying the texture will determine the finishing technique or type of ____ required to create the desired finish.
  14. 31. The hair design procedures include attention to the Four Cs: Connect, Consult, Create and ________.
  15. 33. Adding finishing touches, such as piecing or pleating the hair for additional texture and to personalize the form.
  16. 36. Parallel ________ partings are used to create rhomboid-shaped bases within an oblong.
  17. 37. One oblong followed by a row of pincurls is called a _____ curl.
  18. 39. A ______ parting pattern is used within curvature shapes to create triangle-shaped bases in the inner circle and trapezoid-shaped bases in the outer circle; triangle-shaped bases are created in an oval.
  19. 40. Base _______ refers to the size of the base in relation to the diameter of the tool, and the position of the tool in relation o the base; affects the amount of volume or closeness achieved; used within straight and curvature shapes to create three-dimensional forms.
  20. 42. The hair in a curl that is positioned around the roller, thermal iron or round brush; determines the size of the curl.
  21. 44. In hair design, form is the result of volume and ___________, which is determined by base size and tool position.
  22. 46. At the _____ level of observation you are determining the form/shape of a design by viewing the form in 3D from all directions, determining where volume is positioned, determining where indentation is positioned and identifying the outer shape, such as circular or triangular.
  23. 47. ________ horizontal partings are used within a rectangle shape to create rectangle-shaped bases, and within a triangle shape to create trapezoid-shaped bases.
  24. 48. ___ design refers to the area of hair designing in which the hair is manipulated into the desired shapes and movements while wet and then allowed to dry.
  25. 50. There are three levels of ___________, or primary design considerations, that are used to analyze a hair design.
  26. 52. Texture _____ or activation describes the dimension of the texture pattern, and can range from slow waves to fast, highly activated curls.
  27. 53. The stem, or ___, is the hair between the scalp and the first turn of the hair around the roller, thermal iron or round brush; determines the amount of movement of the section of hair.
  28. 54. Base control used when the hair is held 45 degrees above the center of the base, & the tool sits completely within the base; results in maximum volume & base strength.
Down
  1. 1. The direction the hair is combed or dispersed over the curve of the head.
  2. 2. Base control used when the hair is held 45 degrees below the center of the base, and the tool sits completely off the bottom parting; results in the least amount of volume & base strength.
  3. 3. A(n) __________ is created by molding two complete oblongs that are joined and connected by a ridge.
  4. 4. Lines that subdivide shapes or sections to help distribute and control the hair.
  5. 6. During the ______ level of observation you are looking at the overall surface texture (unactivated, activated or combination) and identifying the types of textures (straight, wavy, curly, tightly curled, crimped and combination).
  6. 9. Base control used when the hair is held 90 degrees from the center of the base, and the tool sits half-off and half-on the bottom parting; results in less volume & base strength.
  7. 10. The hallmark of the _____ form is the unactivated surface texture and perimeter weight line.
  8. 11. The technique of drying and/or designing hair by using a hand-held dryer while simultaneously using your fingers, a variety of brushes, pressing comb and/or thermal irons is known as _______ designing/styling.
  9. 14. A _________ set with rollers will achieve straight directional movement.
  10. 18. Defining the form includes _________ the surface of the hair, redefining the lines of the design and controlling the amount of desired volume.
  11. 19. ____ waves are composed of two alternating oblongs connected by a ridge, with the first oblong molded and the second oblong set; an alternation consisting of at least two oblongs and two rows of pincurls; produces a strong wave pattern.
  12. 20. The area between straight or curved partings within a shape, or the section of hair on which the roller, thermal iron or round brush is placed.
  13. 22. The overall direction of a design can be analyzed according to where the hair moves in relation to the ____.
  14. 23. To ____ or shape the hair refers to designing wet hair in straight or curved lines to create a pattern.
  15. 25. ________ shapes create straight directional movement either away from the face, or toward the face; include rectangles and triangles.
  16. 28. _________ shapes create curved movement in the hair either in a clockwise or counterclockwise direction; include circles and oblongs.
  17. 29. The texture speed is achieved by the number of times the ____ wraps around a tool, and in relation to the length of hair.
  18. 30. Straight shapes create straight directional movement away from or toward the face; generally combined with curvature shapes to create an infinite number of hair design compositions; include rectangles, _________, trapezoids, diamonds and kites.
  19. 32. Base control used when the hair is held 45 degrees from the center of the base, & the tool sits in the upper portion of the base, but not on or above the parting; results in exaggerated direction & volume, and reduced base strength.
  20. 34. The totally activated, round shape of this form has no discernible weight.
  21. 35. Base ____ includes both the width and the length of the base; most commonly used are 1x, 1.5x and 2x.
  22. 38. Hair ________ is a molding technique that creates smooth, straighter hair with a slight bend that reflects the curves of the head; creates little to no volume since the hair is not lifted at the scalp.
  23. 41. To scale or _______ means to carve out shapes in the proper size and proportion to establish the direction and the lines of the design.
  24. 43. The setting procedures that lead to predictable results are: distribute, mold, _____, part and apply.
  25. 44. Form that consists of lengths that disperse throughout the form with no discernible weight resulting in an oval shape.
  26. 45. For the purposes of hair design, an ______ is an elongated curvature shape with parallel “C” lines, consisting of a convex (closed) end and a concave (open) end.
  27. 49. The finishing procedures that lead to predictable results are: _____, dry mold, backcomb or backbrush, define the form and detail.
  28. 51. Straight/Curvature ___________ creates areas of hollowness or depression; base and strand are flat and the ends turn downward.