Keywords Chapter 21

2. The daily lives of ordinary people considered as subject matter for art.
7. Literally "new classicism," A western movement in painting, sculpture, and architecture of the late 18th and early 19th centuries that looked to ancient Greece and Rome for inspiration.
8. A movement developed during the early 20th century by Pablo Picasso and Georges Braque.
9. An art style of the mid-19th century, identified especially with Gustave Courbet, which fostered the idea that everyday people and events are fit subjects for important art.
12. A movement in Western art of the late 18th and early 19th centuries, generally assumed to be in opposition to Neoclassicism.

1. A movement in painting originating in the 1860s in France. Arose in opposition to the academic art of the day.
3. An art movement of the early 20th century, especially prevalent in Germany, which claimed the right to distort visual appearances to express psychological or emotional states.
4. A term applied to the work of several artists- French or living in France- from about 1885 to 1905. Artists were united in rejecting the relative absence of form characteristic of Impressionism.
5. Art movement founded in Italy in 1909 and lasting only a few years. Concentrated on the dynamic quality of modern technological life, emphasizing speed and movement.
6. A school of art and architecture in Germany from 1919 to 1933 whose influence was felt across the 20th century.
10. A movement of the early 20th century that emphasized imagery from dreams and fantasies.
11. A short-lived but influential art movement in France in the early 20th century that emphasized bold, arbitrary, expressive color.