Keywords Chapter 8 & 9

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Across
  1. 2. A relief printmaking method in which a block of wood is carved so as to leave the image areas raised from the background.
  2. 6. A relief printmaking technique in which the printing surface is a thick layer of linoleum, often mounted on a wooden block for support.
  3. 8. Another term for Screenprinting and Serigraphy.
  4. 9. An intaglio printmaking technique in which the printing plate is first roughened with a special tool called a rocker, which creates a fine pattern of burrs.
  5. 13. In Printmaking, a surface (such as a block of wood) on which a design is prepared before being transferred through pressure to a receiving surface (such as a sheet of paper).
  6. 15. Printmaking techniques in which the lines or areas that will take the ink are incised into the printing plate, rather than raised about it.
  7. 17. In Printmaking, the total number of prints made from a given plate or block.
  8. 18. Another term for Screenprinting and Silkscreening.
  9. 20. An intaglio printmaking method in which areas of tone are created by dusting resin particles on a plate and then allowing acid to bite around the particles.
  10. 23. An intaglio printmaking method in which lines are cut into a metal plate using a sharp tool called a burin, which creates a clean, V-shaped channel.
  11. 24. The first practical photographic process. Invented by Louis Jacques Mande Daguerre and made public in 1839, produced a single permanent image directly on a prepared copper plate.
  12. 25. French for "author," the word describes a filmmaker, usually a director, who exercises extensive creative control over his or her films, imbuing them with a strong personal style.
Down
  1. 1. A printmaking method in which the image is transferred to paper by forcing ink through a fine mesh in which the areas not meant to print have been blocked; a stencil technique.
  2. 3. An intaglio printmaking method in which the design is bitten into the printing plate with acid.
  3. 4. Similar to woodcut, a relief printmaking process in which the image is cut on the end grain of a wood plank, resulting in a "white-line" impression.
  4. 5. A planographic printmaking method resulting in a single impression.
  5. 7. An intaglio printmaking technique similar to engraving in which the design is scratched directly into a metal plate with a sharp, pointed tool that is held like a pen.
  6. 10. In intaglio printmaking, a method for printing a continuous-tone photographic image.
  7. 11. Printmaking techniques in which the image areas are level with the surface of the printing plate. Lithography and monotype are examples.
  8. 12. An image created from a master wood block, stone, plate, or screen, usually on paper.
  9. 14. An international art movement that emerged during World War I. Believing that society itself had gone mad, refused to make sense or to provide any sort of aesthetic refuge or comfort.
  10. 16. An acid-resistant coating applied to a metal plate to ready it for use in etching.
  11. 18. In printmaking, to protect selected areas of a plate from the bite of acid by coating them with a resistant varnish.
  12. 19. In printmaking, the precise alignment of impressions made by two or more printing blocks or plates on the same sheet of paper, as when printing an image in several colors.
  13. 21. A planographic printmaking technique based on the fact that oil and water repel each other.
  14. 22. Anything that projects from a background. In printmaking, techniques in which portions of a block meant to be printed are raised.