Literary Theory
Across
- 1. Imitation and Gender Insubordination
- 5. Literature is said to be ____ as nothing has meaning in isolation (Eliot, Wimsatt & Beardsley)
- 7. Described by Shelley as anyone who fundamentally changes our thinking (Shklovsky agrees)
- 9. Creative Writers and Daydreaming
- 10. The History of Sexuality
- 12. Not always the author who figures this out (Intentional Fallacy)
- 13. This constructs women
- 17. Authors do intend things but the work should not be ____ on it (Intentional Fallacy)
- 19. From Work to Text and Death of the Author
- 20. Poetry _____ thinking (Shelley, Shklovsky, others)
- 21. Gender/Sexuality is a kind of ____, according to Butler
- 22. Literature reflects (Freud)
- 23. Understanding comes from this (Shelley)
- 25. Poetry is self-conscious as _____ (Sidney, and others)
- 26. Don't confuse the author for the speaker (Intentional Fallacy)
- 28. This is the engine of history (Marx)
- 29. Neoclassists have concern with general or this
- 30. The poem has its own _____ as an object (New Criticism)
- 32. Resemblance to life (Neoclassic)
- 34. This is active, doesn't just accept things, is the substance that reason needs (Shelley)
- 36. Catharsis as ____ (Freud) (13, 7)
- 38. The Intentional Fallacy authors (7, &, 9)
- 41. Perception of world eventually falls prey to routine (Shklvsky)
- 44. The underlying goal of modernism, according to Eliot (4, 5)
- 45. The value of literature according to Frued is that it ____ the tensions of the mind
- 48. According to Aristotle, poetry is more philosophical and significant than ____
- 49. The Ideology of Modernism
- 50. Women (and queers) are made to accept this as reality (11, 8)
- 51. Dead metaphors are now thought of as ______
- 52. These are arbitrary conventions
- 54. Can't apply same standards to everything (9, 9)
- 56. Looking for what the author meant to say (11, 7)
- 59. Women are _____-like
- 62. Consciousness derived from Material Conditions, On Greek Art in its Time
- 64. Metaphors are examples of thinking in ____ (Shklovsky)
- 68. Key end of poetry according to Sidney (5, &, 7)
- 70. All language is _____, every word has more than one meaning
- 71. Tradition and the Individual Talent
- 72. New metaphors are _____ (Shelley, Shklovsky, others)
- 73. A Defence of Poetry
- 74. Creates things that have never been, may never be (Sidney)
- 75. On Truth and Lie in an Extra-Moral Sense
- 76. The Intentional Fallacy suggests that the work and author should be _____
Down
- 2. Power exists to ____ things that are already there (Foucault)
- 3. Women are the ____
- 4. Attainable through poetry, perhaps
- 6. Developing chronologically over time (Eliot)
- 7. Gilbert and Gubar use this metaphor for women's writing
- 8. Critique of Sexual/Textual Politics
- 11. Biographia Literaria, friend of Wordsworth
- 12. Brooks (2, 5)
- 14. Freud's The ____ _____ (5, 4)
- 15. Reflection of world, first termed by Aristotle
- 16. Literature is an _____ working out of desires (Freud)
- 18. Primary purpose of text according to Shklozsky
- 24. Simultaneous order (Eliot)
- 27. This breaks things down, understands them, and analyzes (Shelley)
- 31. Quote from Republic (5, &, 6, 3, 8)
- 33. These unite past, present, and future, according to Freud - which literature is similar too
- 35. Ideas and how they are expressed/described are _____ connected
- 37. Infection in the Sentence (7, &, 5)
- 39. All language is _____ metaphorical (Shelley, and others, perhaps)
- 40. The poet never _____ and therefore never lies (Sidney, Johnson, and others)
- 42. All ideas are mediated through this, it is an intellectual prisonhouse so to speak
- 43. The Resisting Reader
- 46. Neoclassic idea that style should fit subject matter
- 47. Living through literature
- 53. The underlying goal of all human activity, which poetry should move us to according to Sidney(8, 6)
- 55. Simone de Beauvoir (3, 6, 3)
- 57. Truths are always seen from human's perspective
- 58. Shklovsky (3, 2, 9)
- 60. Coming of age
- 61. Poet as _____
- 63. Preface to the Lyrical Ballads
- 65. This is central to human thinking (Shelley, and others)
- 66. These are our codes of reality/society/culture (Barthes)
- 67. Determine what can be said, who can speak, what constitutes truth (Foucault)
- 69. Purgation, thought of by Aristotle