Magic Of Light and Image

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Across
  1. 3. ................... are involved with setting up and controlling lighting equipment.
  2. 5. (also used as: Overall view from a distance of a whole scene often used as an establishing shot - to set scene.) Person - will show whole body.
  3. 6. ............. is a cinematic technique in which the camera moves closer or further from the subject while simultaneously adjusting the zoom angle to keep the subject the same size in the frame. The effect is that the subject appears stationary while the background size changes (this is called perspective distortion).
  4. 7. Usually refers to a shot of the interviewer listening and reacting to the subject.
  5. 8. ......... is basically the same as tracking or dollying. Although it means slightly different things to different people, it generally refers to side-to-side camera movement with respect to the action.
  6. 9. Subjective Shot (P.O.V. Shot): Framed from a particular character's point of view. Audience sees what character sees.
  7. 11. The view is so far from the subject that he isn't even visible. Often used as an establishing shot.
  8. 15. ........is an educational, cultural, and professional organization. Neither a labor union nor a guild, ........... membership is by invitation and is extended only to directors of photography and special effects experts with distinguished credits in the film industry.Members can put the letters ............ after their names. ......... membership has become one of the highest honors that can be bestowed upon a professional cinematographer, a mark of prestige and distinction.[1] .............. currently has approximately 340 members and continues to grow.
  9. 16. ................ is a camera move around the subject, somewhat like a tracking shot. The camera moves in a rough semi-circle around the subject.
  10. 17. The scene is shown from directly above. This is a completely different and somewhat unnatural point of view which can be used for dramatic effect or for showing a different spatial perspective. In drama it can be used to show the positions and motions of different characters and objects, enabling the viewer to see things the characters can't.
Down
  1. 1. The subject is the weather. Can be used for other purposes, e.g. background for graphics.
  2. 2. The ................................. or ..............................., is the chief of the camera and lighting crew of the film. The ......................... makes decisions on lighting and framing of shots in conjunction with the film's director. Typically, the Director tells the .......................... how he or she wants a shot to look, and the ............................. chooses the correct aperture, filter, and lighting to achieve the desired effect as per the Director's requirements.
  3. 4. The Grip in charge of operating the camera dollies and camera cranes is called the ......................... They place, level, and move the dolly track, then push and pull the dolly, and usually a Camera Operator and Camera Assistant as riders.
  4. 9. ............. is a computer-controlled, stabilized, cable-suspended camera system. The system is maneuvered through three dimensions in the open space over a playing area of a stadium or arena by computer-controlled cable-drive system. It is responsible for bringing video game-like camera angles to television sports coverage.
  5. 10. A shot of something other than the subject.
  6. 12. Half way between a MS and a CU.
  7. 13. ................... an extremely rapid pan that causes blurring and may create the sensation of chaos.
  8. 14. Also known as a Dutch tilt, this is where the camera is purposely tilted to one side so the horizon is on an angle. This creates an interesting and dramatic effect. Famous examples include carol Reed's The Third Man, Orson Welles' Citizen Kane and the Batman series. Dutch tilts are also popular in MTV-style video production, where unusual angles and lots of camera movement play a big part.