midterm

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Across
  1. 1. — Lens analyzing how gender shapes representation and power (p27)
  2. 6. — Process that turns cultural practices into marketable objects (p11)
  3. 8. — Groups that resist mainstream style by producing distinct meanings (p27)
  4. 9. — Simplified representations that circulate as “common sense” (p69)
  5. 10. — The real-world thing a sign points to when we interpret meaning (p34)
  6. 11. — (equilibrium) The textbook’s term for settling cultural tensions (p90)
  7. 14. — Nicher branches of a larger category; how fandoms sort series into micro-styles (p4)
  8. 15. — Lighter aspects of pop culture often dismissed yet revealing of values (p19)
  9. 17. — A deliberate nod to prior texts that layers meaning in popular works (p7)
  10. 20. — A cultural story that naturalizes a value or social order (p42)
  11. 21. — Class discussion topic: reusing cultural materials in new contexts (in class)
  12. 22. — Fan practice that enacts and remixes characters at conventions (p17)
  13. 23. — The selective list of works treated as culturally authoritative (p23)
  14. 25. — Radical economic alternative often referenced in political readings (p60)
  15. 26. — Adjective describing how texts carry unstated beliefs and power (p14)
  16. 29. — George sociologist who explored how money and fashion shape social life (p11)
  17. 31. — Careful interpretation that evaluates cultural meanings and effects (p60)
  18. 32. — In class: contested category that pop culture both borrows from and challenges (in class)
  19. 33. — Old master whose plots and lines are endlessly repurposed in TV and film (p10)
  20. 36. — A mixed reception that both accepts and reshapes a text’s message (p53)
  21. 37. — A sign that points to its cause or origin (like smoke → fire) (p39)
  22. 38. storey — Cultural studies scholar whose work helps map pop cultural analysis (p22)
  23. 39. — Theory that decodes how signs produce cultural meaning (p32)
  24. 42. — Repressive state apparatus; institutions that enforce through force (p62)
  25. 43. — The “critical theory” kit the text offers for decoding pop culture (p59)
  26. 44. — (shirtwaist fire) A historical event used in class to discuss industrial risks (in class)
  27. 45. — Position that identities and meanings are socially produced (p66)
  28. 50. — Claim that identities have fixed, natural traits (p66)
  29. 52. — When an ideology hardens into unquestioned common sense (p45)
  30. 53. — The axis of selection where one sign is chosen over alternatives (p35)
  31. 55. — A viewer stance that resists the preferred reading of a text (p53)
Down
  1. 2. — How race, gender, class, etc., produce overlapping oppression (p77)
  2. 3. — The equilibrium outcome when conflicting cultural forces settle (p64)
  3. 4. — The shared practices and meanings that make everyday life legible to groups (p5)
  4. 5. Austen — Author whose novels become recurring templates for modern rom-com adaptations (p5)
  5. 7. — (fashion) Rapid cycles of clothing production critiqued in class (in class)
  6. 9. king — Prolific horror writer whose works are constant fodder for adaptation (p18)
  7. 12. — A sign that resembles what it signifies (photo = likeness) (p39)
  8. 13. — The cultural associations a sign carries beyond literal meaning (p36)
  9. 16. — Pop culture’s tendency to be both ordinary and deeply meaningful (p20)
  10. 18. — The dominant common sense that masks power relations (p53)
  11. 19. — The axis of combination that organizes signs into sequences (p35)
  12. 20. — (lisa) Iconic artwork frequently referenced and remixed in pop culture (in class)
  13. 23. — (intelligence) Knowledge produced collaboratively by many users (p91)
  14. 24. — A sign whose relation to meaning is purely conventional (p39)
  15. 25. — (appropriation) Borrowing elements from another culture without context (p91)
  16. 27. — The prized quality fans debate when a reboot “feels” genuine (p12)
  17. 28. — As in historical materialism: focus on material conditions shaping culture (p60)
  18. 30. — Critical approach that reads culture through class struggle and production (p27)
  19. 34. — The straightforward, literal meaning of a sign or image (p36)
  20. 35. — Mid-century sci-fi name often evoked when discussing genre conventions (p8)
  21. 40. — Ideological state apparatus; institutions that teach consent (p62)
  22. 41. — As in Critical Race Theory, a framework exposing racialized power (p77)
  23. 45. — The economic system that structures cultural production and profit (p24)
  24. 46. — Social bonds formed around shared media practices and meanings (p19)
  25. 47. — A system of male dominance embedded in cultural structures (p66)
  26. 48. — (culture) Fans’ active role in producing and circulating meaning (p91)
  27. 49. — A cultural item valued primarily for exchange rather than meaning (p13)
  28. 51. — Theory that destabilizes normative categories of sexuality and identity (p75/p76)
  29. 54. — Matthew critic who linked culture to moral formation and taste (p22)