minimualism

3. A rejection of perspective and the creation of depth, emphasizing the two-dimensional or literal three-dimensional nature of the artwork.
6. A structured, orderly arrangement of lines or shapes.
9. The use of repeated, similar elements to create a sequence.
10. Materials that are mass-produced or commercially available (e.g., steel, neon tubes, plywood), often factory-made rather than handcrafted.
12. Using a single color or shades of a single color.
13. Art that does not depict or imitate the real world.

1. A term coined by Donald Judd to describe works that are neither painting nor sculpture, but simply objects.
2. A theory applied to minimalism where the viewer perceives the entire, overall structure as a single "whole" rather than just its individual parts.
4. Refers to artwork with constituent parts that can be rearranged, separated, or recombined.
5. The idea that the artwork is simply a physical object, not a representation of something else.
7. The use of identical forms repeated in a balanced manner
8. Precise, clean, and sharp edges between areas of color.
11. Stripping away emotional or narrative content to reach the essential, basic form.