Music Final

12345678910111213141516171819202122232425
Across
  1. 2. a famous melody that appears in all five movements of Berlioz’s Symphonie fantastique to represent the beloved from the program
  2. 5. practice of directly quoting another work in a new composition
  3. 7. vocal music without instrumental accompaniment a musical part (vocal or instrumental) that supports or provides background for other musical parts.
  4. 9. a musical style employing a single melodic line without accompaniment
  5. 10. composing music using a series of values assigned to musical elements such as pitch, duration, dynamics, and instrumentation. Arnold Schoenberg’s 12-tone technique is one of the most important examples of this.
  6. 12. a composition setting a poem to music, generally for one solo voice and piano accompaniment; in German, a Lied
  7. 13. employs texts that remain the same for every mass
  8. 15. music a group of adjacent notes played simultaneously, either in an orchestral score or, on the piano, by depressing a whole set of adjacent keys.
  9. 17. is a glide from one pitch to another
  10. 20. Homophonic compositions featuring a solo singer over orchestral accompaniment. Very melodic primarily utilized in operas, cantatas, and oratorios.
  11. 21. first section of a sonata form movement, in which the themes and key areas of the movement are introduced; the section normally modulates from the home key to a different key
  12. 23. a musical figure repeated persistently at the same pitch throughout a composition
  13. 24. text set to a melody written in monophonic texture with un-notated rhythms. Typically used in religious worship
  14. 25. the momentary speeding up or slowing down of the tempo within a melody line, literally “robbing” time from one note to give to another
Down
  1. 1. A type of music, usually instrumental in form, that is intended to evoke a scene, communicate an idea, or tell a story
  2. 3. the middle section of a sonata-form movement in which the themes and key areas introduced in the exposition are developed;
  3. 4. a form often found in the first and last movements of sonatas, symphonies, and string quartets, consisting of three parts – exposition, development, and recapitulation
  4. 6. was utilized by Renaissance composers to represent poetic images musically. For example, an ascending melodic line would portray the text “ascension to heaven.” Or a series of rapid notes would represent running.
  5. 8. genre in which the rhythms, melodies, or instrumentation are designed to evoke the atmosphere of far-off lands or ancient times
  6. 11. a musical piece for several solo voices set to a short poem. They originated in Italy around 1520. Most were about love.
  7. 14. repeated unifying sections founds in between the solo sections of a concerto grosso
  8. 16. An operatic number using speech-like melodies and rhythms, performing using a flexible tempo, to sparse accompaniment, most often provided by the basso continuo. Often performed between arias and have texts that tend to be descriptive and narrating.
  9. 18. Music that seeks to avoid both the traditional rules of harmony and the use of chords or scales that provide a tonal center
  10. 19. unconventional technique of playing a musical instrument or of singing
  11. 22. third and final second of a sonata-form movement, in which the themes of the exposition return, now in the home key of the movement