Music History Test 2 Review: The Renaissance
Across
- 4. A philosophy that focuses on the value of people, as opposed to gods and deities.
- 6. The use of these helped create a stronger sense of tonality in Renaissance music than had previously existed.
- 9. This kind of music is non-religious.
- 11. A polyphonic sacred work made up of five sections.
- 13. This kind of music is religious.
- 16. The manuscripts for this music was not as carefully preserved, therefore few survived.
- 18. In the 16th century, this country became the cultural center of Europe.
- 19. This is the texture of most Renaissance music, however homophonic textures were also used.
- 20. These madrigals were generally lighter and more comical than their Italian counterparts.
Down
- 1. The system in which composers found employment either with a church or working for a wealthy citizen.
- 2. The economic boost of the Renaissance led the development of this. People were economically comfortable enough to have some free time and resources to focus on tasks besides survival.
- 3. A piece for several solo voices set to a short poem, usually about love.
- 5. This wealthy Italian family, became important patrons of the arts, literature, and architecture.
- 7. This is the texture of lute songs.
- 8. At the end of the Renaissance, composers begin writing for instrumental ____________, or groups of instruments that played different parts.
- 10. Composers were no longer content to remain anonymous and desired this and public recognition for their work.
- 12. Enabled books and music to be mass-produced and accessible to the general public.
- 14. These pieces were written for voice and lute.
- 15. This musical device, in which composers reflect the text of a piece using musical elements, became widely used during this time.
- 17. A polyphonic sacred work using texts other than the mass ordinary.