Music terminology

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Across
  1. 2. recurring theme or character trait that serves as the structural foundation of a work
  2. 5. practice of directly quoting another work in a new composition
  3. 7. without instrumental accompaniment
  4. 9. musical texture made up of a single unaccompanied melodic line
  5. 10. method of composition using series of pitches, rhythms, dynamics, timbres or other musical elements
  6. 12. vocal music composition, usually written for one voice with piano accompaniment
  7. 13. The Ordinary of the mass employs texts that remain the same for every mass
  8. 15. musical chord comprising at least three adjacent tones in a scale
  9. 17. continuous slide upward or downward between two notes
  10. 20. self-contained piece for solo voice, usually accompanied by orchestra
  11. 21. initial presentation of the thematic material of a musical composition, movement, or section
  12. 23. short melodic phrase repeated throughout a composition
  13. 24. a repeated rhythmic phrase
  14. 25. expressive and rhythmic freedom by a slight speeding up and then slowing down of the tempo of a piece at the discretion of the soloist or the conductor
Down
  1. 1. music that is intended to evoke images or convey the impression of events
  2. 3. refers to the transformation and restatement of initial material
  3. 4. type of composition in three sections (exposition, development, and recapitulation) in which two themes or subjects are explored according to set key relationships
  4. 6. musical technique of composing music that reflects the literal meaning of a song's lyrics
  5. 8. genre of music in which the rhythms, melodies, or instrumentation are designed to evoke the atmosphere of far-off lands or ancient times
  6. 11. medieval short lyrical poem in a strict poetic form
  7. 14. short instrumental refrain
  8. 16. emphasizes and imitates the rhythms and accents of spoken language
  9. 18. lacks a tonal center
  10. 19. non-traditional methods of singing or of playing musical instruments employed to obtain unusual sounds or timbres
  11. 22. occurs after the movement's development section, and typically presents once more the musical themes from the movement's exposition