Music terminology

2. a famous melody that appears in all five movements of Berlioz’s Symphonie fantastique to represent the beloved from the program
5. directly quoting another work in a composition
7. choral music without instrumental accompaniment
9. one musical line, no accompaniment
10. composing music using a series of values assigned to musical elements such as pitch, duration, dynamics, and instrumentation
12. a composition setting a poem to music, generally for one solo voice and piano accompaniment; in German, a Lied
13. set of texts of the Roman Rite Mass that are generally invariable
15. musical chord comprising at least three adjacent tones in a scale
17. gliding from one note to another
20. Homophonic compositions featuring a solo singer over orchestral accompaniment
21. first section of a sonata form movement, in which the themes and key areas of the movement are introduced; the section normally modulates from the home key to a different key
23. a continually repeated musical phrase or rhythm
24. text set to a melody written in monophonic texture with un-notated rhythms typically used in religious worship
25. the momentary speeding up or slowing down of the tempo within a melody line, literally “robbing” time from one note to give to another

1. instrumental music intended to represent a something extra musical such as a poem, narrative, drama, or picture, or the ideas, images, or sounds therein
3. the middle section of a sonata-form movement in which the themes and key areas introduced in the exposition are developed
4. a form often found in the first and last movements of sonatas, symphonies, and string quartets, consisting of three parts – exposition, development, and recapitulation
6. was utilized by Renaissance composers to represent poetic images musically
8. fascination with the other
11. a musical piece for several solo voices set to a short poem.
14. repeated unifying sections founds in between the solo sections of a concerto grosso
16. An operatic number using speech-like melodies and rhythms, performing using a flexible tempo, to sparse accompaniment, most often provided by the basso continuo
18. Music that seeks to avoid both the traditional rules of harmony and the use of chords or scales that provide a tonal center
19. unconventional, unorthodox, or non-traditional methods of singing or of playing musical instruments employed to obtain unusual sounds or timbres
22. third and final second of a sonata-form movement, in which the themes of the exposition return, now in the home key of the movement