Music Theory

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Across
  1. 2. When the triad is being outlined.
  2. 5. Suspensions can occur in any voice as long as it moves ____.
  3. 6. When the bass note stays the same and the harmony moves to a 6/4 chord above it
  4. 9. Unprepared dissonance on a strong beat.
  5. 11. V6/5 acts as this kind of tone.
  6. 13. This is not considered strong enough to be considered in 2nd level analysis.
  7. 14. When a suspension resolves up instead of down.
  8. 15. Inversions should be on this beat.
  9. 16. A chordal leap is this kind of embellishing tone.
Down
  1. 1. The Phrygian cadence ends on this chord.
  2. 3. This chord always moves to the V chord.
  3. 4. This kind of 6/4 chord expands the V chord.
  4. 7. V4/3 acts as this kind of tone.
  5. 8. This part of the suspension is a weak beat consonance.
  6. 10. Leading tone 7th chords contain two of these.
  7. 12. This neighboring tone uses non-diatonic pitches.