Scenario one

4. what the opera or musical is based on.
6. an approving cheer for female opera singers.
8. dominant recurring theme
9. highest male voice with a range from an e on the first line of the staff to a g above the staff on the treble clef
10. introduction to an opera, an Ontario, or other stage work using an instrument.
12. highest female voice with a range between middle c and a c above the staff
13. sung by a large group.
14. control of the volume, clarity and distinctness of a voice to gain greater audibility
17. a specially trained soprano trained to sing rapid passages, trills and difficult runs.
21. a song made for a solo voice often used to show off a singer’s vocal ability.
22. the conductor uses this to lead an opera or musical
24. a group of musicians including string players that performs ensemble music.
25. the lowest female voice with a range from an a below the staff to an e on the fourth space of the staff.
26. a musical piece written for two voices.

1. variation and contrast in intensity.
2. to connect notes smoothly
3. realism or the idea of taking events from real life and using those ideas to make an opera or drama (Italian meaning)
4. at a soft volume
5. introduction to musical drama, shorter than an overture.
7. female voice between an alto and a soprano with a range from middle c to a g above the staff
8. text of a work.
11. a male voice with a range from a b on the second lane of the bass clef to a d above the staff on the base clef.
15. a theatrical production that combines vocal and orchestral music drama, scenery, costumes and sometimes dance.
16. the strong point.
18. used in the conversational passages in an opera like speech
19. lowest of the male voices usually not developed until after you’re 16 or 17. The range is from a d below the staff on the bass clef to a c above the staff on the bass clef.
20. to make notes short, detached and separated (Italian meaning)
23. an approving cheer for male opera singers.