sdSA

3. This camel talks about natural, non-natural, expression, voice, accent, movement, mannerisms, affectations, aging, exaggerated, prosthetics, hair, costume and properties (props)
8. How time can be expanded, contracted or structured through editing.
9. the central meaning of a text.
11. Cultural, social, physical context of the story's action.
15. The events depicted (shown) in the film.
17. The structural story elements such as the opening, closing, acts and turning points etc.
19. A recognisable and consistent approach; for example, it might be aesthetic or structural, or it may relate to content and themes.

1. The camel that talks about atmosphere, background, diegtic and non-diegtic.
2. The link between effect or outcomes and their causes as they occur in time and space.
4. A camel that uses words such as key, fill, back, high key, low key colour, intensity, diffused, natural, artificial, direct, reflected and day or night.
5. The depiction in the medium of film of a series of events in cause and effect relationship occurring in time.
6. Who is telling the story - or 'whose eyes are we looking through?
7. story camel that uses such terms as parallel narratives, narrative possibilities, interlinking, interconnected.
10. ALL the events of the narrative; shown or not.
12. A camel that is all about joining or combining of media elements, such as shots, to create meaning, such as narrative.
13. This camel talks about type, angle, movement, use and lens.
14. Aspects about character/s, that we can’t see or hear. It may also be the actions/reactions and even inactions of those characters, that give us insights into the nature of their character, the narrate
16. a French term that refers to 'putting into the scene'
18. The 'type' of film as defined through content and themes; supported through the use of appropriate codes and conventions.