Stanislavski Acting 1 - 2021 Fall
Across
- 2. the way an actor should talk while answering questions about their character doing the word ‘acting’ literally means this
- 4. Stanislavski saw a lot of bad acting, which he termed this
- 7. the other way of connecting to a character; what Stanislavski said was more important
- 9. this word literally means "to do"
- 14. the character’s NEED
- 16. improv games and scene work are examples of this part of the Stanislavski system
- 18. one way of connecting to a character is through the actor’s own ___________
- 20. the dates that Stanislavski was active
- 21. these are verbs used to help connection to emotion and inform how we say lines (arguing, asking, pleading)
- 23. city where Stanislavski was from
- 24. a technique created by Stanislavski used to connect to the dominant emotion, originally called the “magic if”
Down
- 1. true or false, Stanislavski taught METHOD acting
- 3. warms and stretching are examples of this part of the Stanislavski System
- 5. Stanislavski wanted actor’s to create character from the _______ instead of the outside
- 6. these are what make us human and what we should connect to as actors, NOT the circumstances
- 8. in class workshops with feedback are examples of this part of the Stanislavski System
- 10. games and activities that focus your thoughts on a particular skill are examples of this part of the Stanislavski System
- 11. what happened in the past that effects the characters present is called this
- 12. this is a motivated piece of action, also a word mispronounced by the Americans from the Russians
- 13. the meaning beneath the words being said is called
- 15. according to Stanislavski, in order for characters to appear real, actors must give them this, as well as "inner thought"
- 17. a smile is a smile wherever you go as are tears, thus emotions are __________
- 19. this is actually feeling what other feel, rather than feeling for them
- 22. type of acting Stanislavski created