Acting 1 final 2023 spring

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Across
  1. 3. the character's NEED; also the "O" in C.R.O.W.
  2. 4. the type of acting we study and see most often
  3. 5. members of the Greek Chorus wore these to show emotion and / or character
  4. 8. the other way of connecting to a character; what Stanislavski said was more important
  5. 9. each line of Shakespeare's meter should have ten __________
  6. 10. according to Stanislavski, in order for characters to appear real, actors must give them this, as well as "inner thought"
  7. 11. a contemporary of Shakespeare; died mysteriously in a bar fight
  8. 14. a Greek term that we still use today to describe a type of theater (our auditorium is one); literally means "audience before the scene"
  9. 15. a verb that describes how to say a line of dialogue; also a way to connect emotional to your character
  10. 17. this is a motivated piece of action, also a word mispronounced by the Americans from the Russians
  11. 18. means motivated movement onstage
  12. 20. a plot device implemented by the Greeks; literally means "God from Machine"
  13. 21. these are what make us human and what we should connect to as actors, NOT the circumstances
  14. 23. the largest acting training facility in the world, based out of Chicago, known for their comedic improv
  15. 27. this is actually feeling what others feel, rather than feeling for them
  16. 29. the stage direction AWAY from the audience
  17. 30. the type of poetic meter Shakespeare wrote in
  18. 33. the way an actor should talk while answering questions about their character doing the word ‘acting’ literally means this
  19. 34. each line of Shakespeare's meter would have an __________, then stressed syllabic pattern
  20. 35. this word literally means "to do"
  21. 36. city where Stanislavski was from
  22. 37. complete the quote: "acting is living ______under imaginary circumstances"
Down
  1. 1. one part of creating a character is through the character's action or ___________
  2. 2. a type of Italian theater that led to modern improvisation
  3. 6. the act for feeling FOR someone, instead of with them
  4. 7. the father or modern realistic acting
  5. 12. the dominant, or most important, emotion your character feels
  6. 13. the emotion expelling when watching a performance
  7. 16. by the middle ages, theater had been ________
  8. 19. one way of connecting to the character's emotion is through the use of __________ to create a similar emotional situation
  9. 22. this person formalized improv through the study of different games and the use or C.R.O.W.
  10. 24. emotions cannot be "acted" truthfully; instead they must be __________
  11. 25. the "first" actor
  12. 26. one way of connecting to a character is through the actor’s own ___________
  13. 28. first known as the "magic if," another way of connecting emotionally to a character
  14. 29. a smile is a smile wherever you go as are tears, thus emotions are __________
  15. 31. this is an acronym with 4 letters that are also know as the "given circumstances"
  16. 32. the stage direction to the actor's RIGHT if FACING the audience