Stanislavski - Acting 1 Spring 2024 Review

1234567891011121314151617181920
Across
  1. 5. the part of the scene where the character either gets or does not get their NEED
  2. 8. one of the 2 parts to the system is to train this, which is the more powerful of the two
  3. 9. although important to a character, these should not be “acted” by an actor because they will appear fake
  4. 12. The city where Stanislavski was born
  5. 13. in this acting system, actors should think about characters and work from the ________
  6. 15. there are really about power in acting
  7. 16. essential to understanding your character, what Stanislavski called the C.R.O.W.
  8. 19. a motivated piece of action, also a mispronounced and misunderstood word from the Russians
  9. 20. years Stanislavski was active
Down
  1. 1. what the character NEEDS
  2. 2. the other part of this acting system is to draw on the actor’s own __________
  3. 3. motivated physical movement onstage
  4. 4. Stanislavski said actors should speak like this to help think like their character
  5. 6. in order to play characters truthfully, Stanislavski designed ways to trick the actor’s ______ into feeling the same emotion as their character
  6. 7. Stanislavski said emotions CANNOT be acted, they must be ________
  7. 10. Stanislavski developed a new ___________ to acting
  8. 11. because Stanislavski’s Method focused on making acting look like real life, it is called this
  9. 14. a verb that describes a line of dialogue
  10. 17. Stanislavski saw a lot of __________ acting and wanted to change that
  11. 18. when you actually "feel" what another person feels