Unit 2 (B) Section 3&4: Applying Drama Studies from the Classroom

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Across
  1. 3. A performance without stage sets of favorite selections from plays, books, poems, and speeches
  2. 4. Selected after an audition on the strength of capabilities, experience, ability to work with the director, and often on "box office appeal.
  3. 5. A live performance of a play where some dialogue is sung to orchestral accompaniment.
  4. 7. In some plays, quick changes require personal assistance.
  5. 11. A performance by experienced actors (for money).
  6. 13. Responsible for research and acquisition of personal effects and moveable properties.
  7. 14. Responsible for research and effective uses of make-up.
  8. 16. His/Her/Their play is purchased by the producer.
  9. 17. Responsible for the audience and funds collected.
  10. 18. Hired because of an understanding of the playwright's premise and has the knack of finding actors to interpret roles.
  11. 21. A play entirely sung and orchestrated.
  12. 23. A performance by experienced actors before a TV camera, simultaneously viewed by an audience which may total millions of people.
  13. 27. Performed by amateurs for particular purposes, such as: celebrations, spoofs, and entertainment in special places (children's hospitals, nursing homes, etc.).
  14. 29. Influence the "look" of a production by working with the director.
  15. 30. Responsible for publicizing the play.
  16. 31. An entire audio performance relying heavily on voice production, sound effects, timing of lines. Today, this is largely supplemented by TV and movies.
Down
  1. 1. The oldest form of acting, non-verbal communication used that places emphasis on physical expression (including facial expression) and body language.
  2. 2. Invest money for profit or artistic reasons.
  3. 6. In musical comedies, opera, etc.--must work with the director to produce a polished performance.
  4. 8. A performance by experienced actors before a movie camera (or a taped TV performance) shown later to an audience after cutting, editing, and reshooting.
  5. 9. Play is performed by manipulated puppets or marionettes.
  6. 10. Give cues to actors from a hidden position when lines are forgotten.
  7. 12. A performance by talented people who act as an avocation (not for money).
  8. 15. Responsible for research, design and painting of flats and large fixtures.
  9. 16. Communicates the production and performers to the audience.
  10. 19. Oversees and is responsible for all elements of the production.
  11. 20. Responsible for accurate and convincing costuming and maintenance.
  12. 22. An assistant to the director; must see that all actors, lights, props, music, etc., are in readiness for any rehearsal or performance.
  13. 24. Takes care of the audience in the theatre.
  14. 25. Responsible for front curtain and all other sliding moveable screens and curtains.
  15. 26. Responsible for state and house lighting, and maintenance of equipment.
  16. 28. Sound effects and incidental music are the responsibility of the audio engineers, working with the designer.