Whitworth Theory Fun Puzzle

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Across
  1. 2. B/Bb, for example.
  2. 8. The "elemental" form upon which the Sonata Allegro is built.
  3. 11. The first section of a Sonata Allegro movement.
  4. 13. You might use this synthesizer component to make a siren.
  5. 14. An eighth note to someone from the UK
  6. 15. The seventh note of a Mixolydian scale, for example.
  7. 16. French vocalists sing a lot of them.
  8. 17. String players and brass players use them.
  9. 18. This seventh chord can easily resolve to four tonal centers.
  10. 21. When a string player or singer slides between notes.
  11. 23. The black notes on a piano.
  12. 25. Schoenberg explored this unusual vocal technique in Pierrot Lunaire.
  13. 26. A slow dance in triple time.
  14. 28. A nonharmonic that is preceded by a preparation and followed by a resolution.
  15. 29. V7/V (two words).
  16. 31. ABACA is one example.
  17. 32. A common contrapuntal motion.
  18. 33. A word that describes the function of N6 and Aug. 6th chords.
  19. 36. An elemental form with three sections.
  20. 38. A “crazy” modality.
  21. 40. What someone from the UK might call a quarter note.
  22. 41. A colloquial term for a custom synthetic sound.
  23. 42. A diminutive coda.
  24. 43. A term often associated with the contrasting section of a popular song.
Down
  1. 1. You will likely hear this mode if you go to a movie.
  2. 3. An alternate passage of music.
  3. 4. Another word for a diminished scale.
  4. 5. This augmented sixth chord only has three chord factors.
  5. 6. You would expect to hear a subject and answer in one of these.
  6. 7. The sound source of an analog synthesizer.
  7. 9. A structural function you are likely to find at the end of a composition.
  8. 10. Bessie Smith is well known for singing it.
  9. 12. V7-vi
  10. 14. Stacked fifths.
  11. 19. Steve Reich, Steve Reich, Steve Reich, Steve Reich, Steve Reich
  12. 20. Dr. Strauch would play one if he lived in the Renaissance.
  13. 22. B7#11 for F7alt, for example (two words).
  14. 23. IV-I
  15. 24. Another word that might be used to describe a secundal chord.
  16. 25. Half way between the tonic and subdominant.
  17. 27. Comes after the development secion in a Sonata Allegro.
  18. 30. The interval that splits an octave
  19. 34. Half way between the tonic and dominant.
  20. 35. This augmented sixth chord contains two tritones.
  21. 37. A vigorous or playful composition.
  22. 39. iv, bVI, or iidim in a major key.
  23. 40. A type of continuous variation similar to a passacaglia.