107C.01 Hair Design Theory

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Across
  1. 2. You can enhance the rounded shape of a uniformly layered form by adding:
  2. 3. Hair design allows you to temporarily alter the shape of a sculpted form by shifting the position of ______, altering existing texture and/or changing the overall direction of the design.
  3. 4. Tools used to achieve an unactivated texture pattern include flat irons and ________ _____.
  4. 7. Hair with large waves has a ____ texture speed.
  5. 8. Rough hair texture is known as:
  6. 12. Hollowness.
  7. 13. ________ shapes create directional movement away from or toward the face.
  8. 14. Straight, wavy, curly, tightly curled/coily, crimped or combination are all terms used to describe the hairs:
  9. 15. _________ shapes create curved movement in the hair that are either clockwise or counterclockwise.
  10. 17. Addition of curls shifts weight area upward creating the illusion of a _________ or layered form.
  11. 19. Tight curls have a ____ texture speed.
  12. 20. Smooth hair textures are known as:
  13. 21. ____-______ shapes move half of the hair away from the face, and half of the hair toward the face.
  14. 22. Arranging hair to create a temporary change in form, texture and/or direction of the finished design.
  15. 26. One of the two areas of hair design; structured and longer lasting.
Down
  1. 1. The texture character achieved will be influenced by the shape of the tool and the ________ of the tool along the hairstrand.
  2. 5. Tools used to achieve an activated texture pattern include soft rods, curling irons, crimping irons, air forming with a round brush and _______.
  3. 6. The dimension of the texture pattern is referred to as texture _____.
  4. 9. Two or more oblongs that alternate directions create ____ patterns.
  5. 10. Mass or fullness.
  6. 11. One of the two areas of hair design; softer and more casual; dry by air forming.
  7. 16. Level of observation in which the overall surface texture(s) is observed; may be unactivated or activated.
  8. 18. At the Abstract level of observation, the overall _________ the hair is moving in and the direction of movement within the form is being observed.
  9. 23. Textured hair be styled texture or _______ texture.
  10. 24. Level of observation which looks at form and shape; i.e. position of volume and indentation from all directions and the outer shape of the design.
  11. 25. The introduction of tighter curl patterns within a given area of an increase-layered form can drastically after the overall shape and: