Acting 2 - Stanislavski

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Across
  1. 2. these are referred to as the CROW; Stanislavski called them "Given ____________"
  2. 5. Stanislavski wanted actors to work from the ______ out, rather than the other way
  3. 7. a verb that describes how a line should be said, also a way to generate truthful emotion
  4. 9. at first Stanislavski devoted much of his time to emotional _________ in order to generate emotion
  5. 10. a character's NEED; the future for the character
  6. 14. the style of acting that Stanislavski helped create
  7. 17. in order to make the NEED more interesting, an actor should always "raise the ________"
  8. 18. Stanislavski realized an actor could not truthfully "act" these out, they must be generated
Down
  1. 1. this was a technique to connect an actor to a character, known as the "_________ if"
  2. 3. also important in Stanislavski's training was using and drawing from the actor's own ____________
  3. 4. Stanislavski switched approaches and used ____________ memory to help actors safely
  4. 6. the behavior underneath the dialogue
  5. 8. what the word "act" literally means
  6. 11. a mispronounced word by the Americans; literally is a motivated piece of action
  7. 12. part of the physical that can generate emotions are facial ____________
  8. 13. Stanislavski discovered this was an essential tool for actors to train as it has limitless possibilities
  9. 15. the country that Stanislavski was from and worked in
  10. 16. Stanislavski discovered that using _______ actions can help truthfully generate emotions
  11. 19. things from a character's past that moves them to act as they do now