AP Music Theory

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Across
  1. 1. A major third plus a minor third results in this triad.
  2. 2. the pitches of the a minor triad
  3. 6. A 6 in the figured bass tells us we're in _______ inversion.
  4. 7. HWWWHWW
  5. 8. A common form for pop songs
  6. 13. The pitches of the viio/IV chord in G major
  7. 15. The fourteenth pitch of the melody of Ode to Joy is this kind of nonharmonic tone
  8. 18. A nonharmonic tone approached by setp and left by leap in the opposite direction
  9. 20. A fancy word for chorus (as in, "verse and chorus")
  10. 23. The day in May it is most important to remember these terms
  11. 24. A minor third plus a major third results in this triad.
  12. 25. Traditional waltzes are written in __________ triple time signature.
  13. 26. A 6/4 in the figured bass tells us we're in ________ inversion.
  14. 28. The form of the song "Greensleeves"
  15. 30. The second pitch in "Mary Had A Little Lamb" is this kind of nonharmonic tone
Down
  1. 1. A fancy name for the third step of the scale
  2. 3. "Piano Man" by Billy Joel is written in a ________ duple time signature.
  3. 4. Number of sharps in the key signature for C# minor
  4. 5. An expanded ternary form is a "regular" ternary form that has more _______.
  5. 9. A nonharmonic tone approached by leap, left by step in the opposite direction
  6. 10. A fancy name for the seventh step of the scale
  7. 11. A change of key
  8. 12. An interval that is awkward to sing and should be avoided
  9. 14. A minor third plus a minor third results in a _________ triad.
  10. 16. A major third plus a major third results in this triad.
  11. 17. A vocal representative of this form is the da capo aria.
  12. 19. The B section of a popular song
  13. 21. A tone that should never be doubled
  14. 22. The pitches of the V chord in F major
  15. 27. The direction a seventh should resolve
  16. 29. The composer on whom we base our ideas about voice-leading