Art 1 Review

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Across
  1. 1. Shading created by crossed parallel lines
  2. 5. is the act of organizing the elements of artwork into a harmoniously organized whole
  3. 6. shadow is the darkest value found on an object in an artwork.
  4. 7. Perspective is the diminishing of color intensity to lighter and duller hues to give the illusion of distance. Objects also often appear to have a bluish hue.
  5. 10. expressive, may not show us objects we recognize but can still create a feeling in us.
  6. 11. Known for his beautiful line work
  7. 14. – Line, shape, form, color, space, value, and texture. The building blocks the artist works with to create an artwork (hint: three words)
  8. 17. known for creating the mobile and his wire figures and monumental sculptures called stabiles
  9. 18. has only one dimension, that of length. They have no width or depth
  10. 19. The material or technique used by an artist to produce a work of art
  11. 20. a line that surrounds a shape. Only the outer edges of a shape are defined.
Down
  1. 2. Lines define the outer edges of forms and surfaces within a form, such as shapes or wrinkles and folds. Used in contour drawings to suggest depth in addition to height and width.
  2. 3. Forms that can be easily measured, are symmetrical, labeled.
  3. 4. the lightest value found on an object. This is usually represented as white.
  4. 7. was an Art movement that found inspiration from natural elements, such as plant life, and used sweeping curving lines (hint: two words)
  5. 8. is a two-dimensional (width & height) enclosed space; its boundaries are defined by other elements (lines, colors, values, etc.)
  6. 9. A point on the eye-level line, toward which parallel lines are made to recede and meet in perspective drawing
  7. 12. lines that suggest an edge rather than clearly defining one
  8. 13. Shading using closely spaced, parallel lines; used to suggest light and shadow.
  9. 15. are lines that help us understand what we are seeing
  10. 16. known for his color theory work, and influence on the Expressionist and Bauhaus movements