Art 100 Final Exam

2. implies a person is exposed, unprotected, or vulnerable.
4. where some believe evil lives or a global system of interconnected computer networks; Facebook.
6. a drawing or plan that outlines and explains the parts of a whole.
7. an artistic work that consists of large-scale modification of land.
8. art in which the idea presented by the artist is considered more important than the finished product.
9. a visually striking performance or display.
11. a method of animation in which clay figures are filmed using stop-motion photography.
12. concerned with spectacles such as grand events, blockbuster movies, and/or visual drama
13. form of ritual or prayer that is directed to an image or an object in order to bring about a desired result.
15. the national animal of Scotland
17. process by which the experience of everyday life becomes standardized around the world.
19. seeing or treating a person as an object, product, or for personal use.
23. the physical imprint of an original event; paint to canvas or carving from a block of marble.
24. a painting or drawing of an arrangement of objects, typically including fruit and flowers and objects contrasting with these in texture.

1. general term for a range of artistic works and practices that use digital technology.
2. the study and work of rendering zoological and botanical illustrations
3. to represent subject matter truthfully, without artificiality and avoiding artistic conventions, implausible, exotic and supernatural elements.
5. selectively unclothed; with intention
10. art based on modern popular culture and the mass media.
14. a 20th-century avant-garde movement in art and literature that sought to release the creative potential of the unconscious mind.
16. a still-life painting of a 17th-century Dutch genre containing symbols of death or change as a reminder of their inevitability.
18. a female slave or prostitute; subject matter of 19th-20th century artists
20. stylistic departure from the realistic appearance of things in order to portray more accurately the ideal essence of things.
21. "power" of relationship of the subject matter and/or of the spectator.
22. offensive or disgusting by accepted standards of morality and decency.