Art Appreciation: Renaissance to Baroque Europe

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Across
  1. 1. ______ icon, 6th century. Encaustic, 33  18”. St. Catherine Monastery, Mount Sinai, Egypt.
  2. 3. Greek art of the period c. 620-480 BCE.
  3. 6. In the Middle ages _____ concerns rather than humanist ones.
  4. 10. and Attendants, c. 547.
  5. 11. Renewed interest in ________ thinking.
  6. 14. a small, often portable, religious image venerated by Christian believers; first used by the Eastern Orthodox Church.
  7. 15. from the balustrade of the Temple of Athena. c. 410–407 BCE. height 42 in.
  8. 16. Reconstruction view of the _______, Athens, Greece, at the beginning of the 4th century BCE.
  9. 17. Marks the end of the Classical world and ends at the beginning of the Renaissance.
  10. 21. Philosophical approach that stressed the intellectual and physical potential of human beings.
  11. 22. San _____. Ravenna, Italy. 526–47 CE.
  12. 23. Renewed interest in the Classical past, and idealistic portrayal of mythological or religious subjects, and the nude figure.
  13. 25. A pose in sculpture in which the upper part of the body twists in one direction and the lower part in another.
  14. 26. Gods and goddesses often the subject of art.
Down
  1. 2. Masaccio, c. 1425–6.
  2. 4. A picture or pattern created by fixing together small pieces of glass, stone, or tile.
  3. 5. Virgin and Child Enthroned, c. 1280.
  4. 7. _______ subject matter, animal-like forms, Grand-scale cathedrals were characteristics of the Middle Ages.
  5. 8. Means “rebirth” and refers to the time period and the style of art.
  6. 9. when different parts of a story are shown within the same visual space.
  7. 12. Nike of ________. c. 190 BCE.
  8. 13. Subject matter in Greek art mythological gods, _______, and heroes.
  9. 18. Virgin and Child Enthroned, c. 1310. Tempera
  10. 19. Roman version of the ______ (Spear Bearer) of Polykleitos,120–50 BCE.
  11. 20. Donatello, c. 1430.
  12. 24. ______ Shepherd, 425–6.
  13. 27. Significant use of ______ and bronze.