Across
- 4. when you take a workable material and mold it into a sculpture
- 6. the area above, below, around, and within an object
- 7. the way elements of art are arranged to create a sense of stability and equal visual weight; symmetrical, radial, and asymmetrical
- 10. to force bubbles out of a claybody while kneading the clay to distribute water evenly into a consistent, lump-free medium
- 12. a difference in the use of two elements
- 13. a single material an artist may use
- 14. no water in clay, breakable, ready to enter kiln
- 16. sense of movement in a composition created by the repetition of an element
- 19. an oven-like device that heats up and causes a chemical reaction within the clay
- 21. a 2D object.
- 23. you take a liquid and pour it into a mold, dries, sculpture pops out when finished
- 24. the clay has been fired once
- 25. way elements of art direct a viewers eye through a work often to a focal area
- 27. the way an art piece feels or appears to feel.
- 29. repetition of one or more elements
- 30. the most workable and contains the most water
Down
- 1. workable but cracking-has less water to no water
- 2. a 3D object.
- 3. you take away from the surface to make an art piece
- 5. the clay has been fired twice
- 8. you gather or find material to make a sculpture
- 9. a moving point through space.
- 11. the layering of ropes of clay, joining them with scoring and slip, to create a form
- 12. the visual sensation produced by light and pigment.
- 15. how parts of an artwork relate
- 17. when clay is workable and has not been fired in the kiln
- 18. quality of wholeness achieved when sperate elements work together
- 20. sculpture is view from all sides
- 22. a layer of material applied to bisque-fired ceramic piece and fired to bond the two layers together, glaze serves to protect, waterproof, and/or decorate the piece
- 26. sense of importance given to any one part of the composition, or focal area of a work
- 28. the lightness or darkness of a color