Across
- 4. Visual sensation produced by light and pigment
- 5. An enclosed area of space with 2 dimensions (W x H)
- 8. A continuous mark made by a moving point
- 9. Way elements of art direct a viewer’s eye through a work, often to a focal area
- 11. use a workable material and mold it into a sculpture
- 14. An art piece that has been in the kiln once
- 15. the layering of strips of clay with scoring to form a vessel Glaze: A thin transparent layer on a clay which modifies the appearance of the underlying color
- 16. Way a surface feels to the touch or how it appears to feel through vision
- 21. Way elements of art are arranged to create a sense of stability and equal visual weight
- 22. No water, not workable, ready for kiln
- 24. taking away the surface to make a sculpture
- 27. Sense of importance given to any one part of the composition, or focal are of a work
- 28. Still workable but cracking, NEEDS water
- 29. Quality of wholeness achieved when separate elements work together
- 30. A single material and artist may use ex: wood or clay
- 31. A material that is put in-between and object to separate it
Down
- 1. A difference in the use of two elements
- 2. How parts of an artwork relate to each other in size or scale
- 3. Actual 3-dimensional space or the illusion of space through overlapping or perspective
- 6. An oven-like device that causes a chemical reaction within clay to change it to a ceramic
- 7. An object with 3-dimensions
- 10. pour a liquid into a mold... dry overtime it becomes a sculpture
- 12. An art piece that is fired twice
- 13. Lightness and darkness of a color or value
- 17. The clay is workable; it has not been fired in kiln
- 18. A thin transparent layer on a clay which modifies the appearance of the underlying color
- 19. Viewed from all sides
- 20. Sense of movement in a composition created by the repetition of an element
- 23. Repetition of one or more elements
- 25. u gather find materials and build a sculpture
- 26. The clay is most workable, most water in it