3. An art movement that takes traditional subjects—nudes, landscapes, and still lifes—were reinvented as increasingly fragmented composition
5. An artist's device for spraying paint by means of compressed air.
8. Emphasizing ideas rather than objects.
9. A work of art made up of two parts, usually hinged together\
11. Objects, such as pots and vases, made of clay hardened by heat
12. An image that has natural scenery as its primary focus.
14. A person who draws plans or designs, often of structures to be built; a person who draws skillfully, especially an artist.
16. A category of artistic practice having a particular form, content, or technique.
18. Two or more things having a common center.
19. An object, outline, or shape having sharp corners, or angles.
20. A 19th-century art movement
23. Any public-facing side of a building, often featuring decorative finishes.
24. Los Angeles County Museum of Art
25. A visual representation or design on a surface
27. The area of an artwork that appears farthest away from the viewer; also, the area against which a figure or scene is placed.
29. Expressing deep personal emotion or observations; highly enthusiastic, rhapsodic.
30. A particular gradation of color; a shade or tint.
32. An act of placing things close together or side by side for comparison or contrast.
36. A representation of a particular individual.
37. An opaque watercolor paint; a painting produced with such paint.
39. A rendering, usually a drawing, of a person or thing with exaggerated or distorted features, meant to satirize the subject.
42. In painting a color plus white.
44. The area of an image—usually a photograph, drawing, or painting—that appears closest to the viewer.
45. In painting, a color plus black.
46. The lightness or darkness of a color. In painting, a color plus gray.
49. A work of art made up of three parts, usually hinged together
51. The technique and resulting work of art in which fragments of paper and other materials are arranged and glued to a supporting surface.
1. The materials used to create a work of art, and the categorization of art based on the materials used (for example, painting [or more specifically, watercolor], drawing, sculpture).
3. An image with urban scenery as its primary focus; an urban environment.
4. The ability to alter a material’s shape under compressive stress, such as hammering or rolling.
6. A paint composed of pigment mixed into water; a work of art made with this paint.
7. Touchable, or sensed by the touch.
8. The arrangement of the individual elements within a work of art so as to form a unified whole
10. A form, sign, or emblem that represents something else, often something immaterial, such as an idea or emotion.
13. Cotton or linen woven cloth used as a surface for painting.
15. A type of paint that is water based, not oil based.
17. An artistic movement that was interested in how the irrational, unconscious mind could move beyond the constraints of the rational world.
18. Colors located opposite one another on the color wheel.
21. Having a single color. A work of art rendered in only one color.
22. A large painting applied to a wall or ceiling, especially in a public space.
26. A form of art, developed in the late 1950s, which involves the creation of an enveloping aesthetic or sensory experience in a particular environment, often inviting active engagement or immersion by the spectator.
28. A term generally used to describe art that is not representational or based on external reality or nature.
31. Representing a form or figure in art that retains clear ties to the real world.
33. In art, a technique used to depict volumes and spatial relationships on a flat surface, as in a painted scene that appears to extend into the distance.
34. The position from which something is viewed or observed.
35. A substance, usually finely powdered, that produces the color of any medium. When mixed with oil, water, or another fluid, it becomes paint.
38. A person whose job it is to research and manage a collection and organize exhibitions.
40. Relating to or characterized by a concern with beauty or good taste (
41. Characterized by ugly, repulsive or distortion of appearance
43. Museum of Contemporary Art
47. The range of colors used by an artist in making a work of art;
48. The shape or structure of an object.
50. A soft and delicate shade of a color; a drawing medium of dried paste manufactured in crayon form made of ground pigments and a water-based binder; a picture or sketch drawn with this type of crayon.