A/V I Word Wall Q3

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Across
  1. 4. Narration or dialogue that is recorded independently and then paired with related video.
  2. 6. the directions (in three dimensions) in which a microphone is most sensitive to sounds
  3. 7. To execute any digital processing of an image or video and “finish” the product so it includes all the editing elements.
  4. 13. A small thin card (commonly called an SD card) inserted into a camera for recording images, and into a computer for copying images to an editing project.
  5. 15. Supplementary information stored in a still or video image file that is not visible in the actual image.
  6. 17. A small light on a camera that glows to indicate that the unit is recording.
  7. 19. Track a recording of the ambient background sounds in an exterior environment, such as the ocean, city traffic, or restaurant noises, that is used to fill gaps in the production soundtrack.
  8. 20. Lines in the image that emphasize an element by pointing towards it.
Down
  1. 1. a recording of the ambient background sounds in the studio or at a location that is used to fill gaps in the production soundtrack.
  2. 2. The predetermined movements that a subject makes during a shot.
  3. 3. An imaginary line separating camera and subject. Keeping the camera on its side of the line maintains screen direction.
  4. 5. Direction The subjects’ orientation with respect to the borders of the screen.
  5. 8. A lighting technique that emphasizes three-dimensional qualities and surface characteristics of a subject.
  6. 9. Audio effects artificially created in an studio to match action on-screen
  7. 10. An area set up for recording real-time sound effects synchronously with video playback.
  8. 11. Places within the shot where the performer is to pause, stop, turn, stand, etc. These spots are identified by marks on the floor made of tape or chalk
  9. 12. A lighting arrangement in which white fabric is draped all around a subject to diffuse lighting completely for a completely shadowless effect.
  10. 14. A fabric material that reduces both light intensity and directionality, producing a soft, directionless illumination.
  11. 16. Previously recorded video and/or audio reproduced so that actors or technicians can add to or replace parts of it synchronously, in real-time
  12. 18. Cinematography of small subjects and activities on a table or counter