Across
- 1. A god-like perspective from directly overhead, often used to emphasize the character’s lack of control or to showcase complex movement patterns.
- 3. A technique that forces the audience to inhabit the psyche of the character, blurring the line between observer and participant.
- 7. A framing that creates a conversational link between two parties while signaling the perspective of the primary speaker.
- 11. A shot where the horizon is deliberately askew, meant to instill a sense of disorientation, psychosis, or psychological instability.
- 12. A "social" framing that mimics the natural distance of human conversation, allowing for both character interaction and subtle body language.
Down
- 2. a shot used to establish the setting
- 4. A framing that diminishes the subject, making them appear vulnerable, weak, or insignificant within the narrative.
- 5. A neutral framing that puts the viewer and character on equal footing, fostering a sense of familiarity and human connection
- 6. A technique used to force intimacy between the viewer and the subject, highlighting emotional intensity or a critical realization.
- 8. An invasive framing that directs the viewer's focus to a single detail, amplifying tension or drawing attention to a small, symbolic object.
- 9. A perspective that physically elevates a character, subconsciously signaling their power, dominance, or god-like status to the viewer.
- 10. a framing that captures a characters full body in relation to their surroundings
- 13. A composition that balances two subjects within the frame, emphasizing their relationship, rivalry, or shared objective.