Across
- 4. Frames a character from the waist up, often used to balance body language with the surrounding mise-en-scene.
- 5. An exterior shot at the start of a scene used to provide the audience with the geographical context of the action.
- 6. An extreme high angle shot directly looking down, often used to emphasize the insignificance of the characters.
- 9. Focuses on a character's face to emphasize emotional intimacy or to show a specific reaction to a narrative event.
- 10. Positioned to make a character appear powerful, dominant, or intimidating to the audience.
- 13. Taken from a high altitude to give a god-like perspective of the world below.
- 14. Focuses on a tiny detail, such as eyes or a mouth, to create an intense sense of discomfort or to highlight a vital clue.
Down
- 1. Used to make a character appear vulnerable, powerless, or insignificant within the frame.
- 2. Features two characters in the frame to establish their relationship, often used to show conflict or romantic tension.
- 3. Used during dialogue to establish a connection between two characters while maintaining the audience's perspective.
- 7. Used to establish the vastness of a setting or to make a character appear dwarfed and isolated by their environment.
- 8. A neutral shot that positions the audience as an equal to the character, suggesting a sense of realism.
- 11. Positions the camera as the character’s eyes, forcing the audience to experience the narrative from a subjective perspective.
- 12. Shows the character's full body and their surroundings, typically used to show how a character moves through a space.
- 15. A shot where the horizon is not level, used to connote psychological instability or a sense of unease.
