Chapter 11: Gothic Art

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Across
  1. 2. The skeletal framework that produced taller and broader interior spaces in French Gothic churches was made possible by rib vaulting and _________ buttresses.
  2. 8. The type of Gothic architecture that developed in thirteenth-century Germanic lands in response to the increasing importance of sermons is called a __________. Hint: Two Words, No Spaces
  3. 10. Walls composed of stained-glass windows at the choir at Saint-Denis represent the key concepts of ________.
  4. 11. The Sainte-________ exemplifies the refinement of Gothic architecture in the thirteenth century because of its expansive walls of stained glass.
  5. 13. The architecture of French Gothic churches, such as _________ Cathedral, are characterized by their emphasis on the height of the interior elevation.
  6. 17. "Chichester-Constable Chasuble" is an example of "opus _________."
  7. 18. The church of the __________ is an example of a Gothic hall church. Hint: Two Words, No Spaces
  8. 23. The first Gothic building was the abbey church of _______-_______.
  9. 24. A mid-level wall passageway with an arcaded screen.
  10. 26. The two-page opening with the Kiss of Judas and the Annunciation from the "Hours of Jeanne d’Evreux" includes a portrait of __________ praying. Hint: Two Words, No Spaces
  11. 27. Ambrogio Lorenzetti’s "Effects of Good Government in the City" is painted on a wall in __________'s city hall.
  12. 28. In the "Moralized Bible," the design of stacked medallions that formed the layout of each page of the manuscript derives from stained-glass _________.
  13. 29. The Purbeck marble shafts distinguish the ________ Cathedral from the style of Gothic churches in France.
  14. 31. English pictorial needlework was called __________. Hint: Two Words, No Spaces
  15. 32. Giotto’s "Virgin and Child Enthroned" was created with ____________. Hint: Two Words, No Spaces
  16. 34. _______-_______ windows originated at Saint-Denis.
  17. 35. Hall churches featured __________ and side aisles with vaults of equal height. Hint: Two Words, No Spaces
Down
  1. 1. __________’s frescoes in the Arena Chapel evoke an empathetic response in the viewer by depicting a series of compelling moments.
  2. 3. Powdered pigments mixed with egg yolk, water, and occasionally glue is called __________ paint.
  3. 4. In the Betrayal of Jesus from the back of the Maestà altarpiece, Duccio expresses the emotional content of the scene through __________ and facial expressions.
  4. 5. Gothic architecture was originally called the "__________ style."
  5. 6. In the opening of Psalm 1 in the Windmill Psalter, Christ’s royal and spiritual heritage is symbolized by the Tree of __________.
  6. 7. Books of Hours are manuscripts for private _________ practices.
  7. 9. The ________ window is considered the centerpiece of the façade of a French Gothic church.
  8. 12. In 1309, the pope moved the papal court to __________.
  9. 14. Typical English Gothic churches have wide projecting __________.
  10. 15. The graceful __________ best describes the pose that was a stylistic signature of thirteenth- and fourteenth-century Gothic art in France. Hint: Contains Hyphen
  11. 16. The rapid development of the Gothic style was facilitated by the __________ prosperity of towns.
  12. 19. In a stained-glass window, the pieces of colored glass are assembled using strips of lead called __________.
  13. 20. The interior of Salisbury Cathedral reflects __________ traditions in its heavy walls.
  14. 21. At Reims Cathedral, the lacy framework for the glass of the rose windows is called __________. Hint: Two Words, No Spaces
  15. 22. In Flight into Egypt from Saint-Denis, the artists created the details of the faces, foliage, and drapery using __________ enamel paint.
  16. 25. The two important centers of _________ Gothic painting developed in Siena and Florence.
  17. 30. To whom did Giorgio Vasari give the credit for “[having] revived the modern and excellent art of painting, introducing good drawing from live natural models, something which had not been done for more than two hundred years”?
  18. 33. In the choir at Saint-Denis, Abbot Suger’s builders achieved an open, flowing space surrounded by walls of stained glass by using _________ arches, ribbed groin vaults, and external buttressing.