Chapter 15 & 16

2. The practice of adding hand-drawn illustrations and other embellishments to a manuscript.
5. A style of art that flourished in Europe from the 10th to 12th centuries, and was the first international style in Western Europe since antiquity
11. From the Italian maniera, meaning "style" or "stylishness", a trend in 16th century Italian art. Artists cultivated a variety of elegant, refined, virtuosic, and highly artificial styles, often featuring elongated figures, sinuous contours, bizarre effects of scale and lighting, shallow pictorial space and intense colors.
13. The period in Europe from the 14th to the 16th century, characterized by a renewed interest in Classical art, architecture, literature and philosophy.
14. In Roman architecture, a standard type of rectangular building with a large, open interior.
15. Decoration composed of intricately intertwined strips or ribbons. Especially popular in medieval Celtic and Scandinavian art.
16. The arm of a cruciform church perpendicular to the nave. Often marks the beginning of the apse.

1. A style of art that emerged in the 12th century in Northern France and spread throughout Europe
3. Generally, a passageway flanking a central area. In a basilica or cathedral flanks the nave.
4. The period in medieval European history dominated by the Frankish rulers of the Carolingian dynasty, roughly 750-850 C.E.. Also refers to the artistic flowering sponsored by Charlemagne.
6. In church architecture, a vaulted passageway for walking around the apse. Allows visitors to walk around the alter and choir areas without disturbing devotions in progress.
7. The topmost part of a wall, extending above flanking elements such as aisles, and set with windows to admit light. In a basilica or church, it is the topmost zone of the nave.
8. A style in European and western Asian art in ancient and medieval times based in linear, stylized animal forms. Often found in metalwork.
9. In an ancient Roman basilica, the taller central space flanked by aisles. In a cruciform church, the long space flanked by aisles and leading from the entrance to the transept.
10. The semicircular, protruding niche at one or both ends of the nave of a Roman basilica.
12. In early Christian architecture, the porch or vestibule serving as an entryway to a church.
15. In Byzantine and later Orthodox Christian art, a portrait of a sacred person or an image of a sacred event.