Chapter 3

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Across
  1. 4. Weight the inclination of shapes to float or sink; the relative importance of a visual element within a design
  2. 8. A type of symmetry where lines and shapes are mirrored both vertically and horizontally , with the center of the composition acting as a focal point
  3. 9. a type of symmetry that is created when similar imagery appears on either side of a central axis
  4. 13. the mind's inclination to connect fragmentary information to produce completed form.
  5. 14. a fluid connection among compositional parts
  6. 15. a type of balance that occurs when shapes are mirrored on either side of an axis
  7. 16. is created throught a series of intersecting lines
  8. 17. is created when any visual element is systematically repeated over an extended area.
Down
  1. 1. Point A pattern of diagonal Lines directs our attention to a single primary point of interest
  2. 2. created deliberate visual pathways and help direct the viewer's attention to areas of particular interest
  3. 3. occurs when shapes or volumes are placed so close together that they share common edges
  4. 5. The equal distribution of weight or foce among visual units.
  5. 6. When presented with a collection of separate visual units, the first step we try to do.
  6. 7. occurs when we use the same visual elements or effect over and over
  7. 10. the distance between visual elements
  8. 11. A type of blanace that creates equilibrium among visual elemnts that do not mirror each other on either side of an axis.
  9. 12. a unifying force created by the outer edge of a composition or by a boundary within a composition