Chapter 4: Camera Work

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Across
  1. 3. A lateral camera movement along an imaginary horizontal axis
  2. 5. A stabilizing apparatus worn by a camera operator to deliver the steadiness of a dolly where a dolly isn't practical
  3. 9. A shot that simulates what a character sees
  4. 10. A technique that makes the action on screen move at unrealistic speeds by filming the action at slower or faster speeds while projecting at standard speed
  5. 11. A lens that allows for a larger angle of view and can increase the illusion of depth within the shot
  6. 12. A shot where part of the image has been deliberately blurred while another is in sharp focus
  7. 14. An aerial or overhead shot executed by a camera operator on the platform of a moving crane
  8. 17. A shot of the subject from the knees up
  9. 19. A shot of the subject's eyes
  10. 20. A shot that includes the entire person and background
  11. 22. A shot made by placing the camera above the subject, angled downward. It is more flattering and humanizing. It can be dwarfing, provide a "bird's eye view," or place the camera like an audience in a balcony
  12. 23. A shot where both the foreground and background planes are in sharp focus
  13. 24. A shot made with a portable camera that may show signs of not being mounted
  14. 26. A lens with greater magnification power that can make objects seem closer to the camera and decrease the illusion of depth within the shot
  15. 29. A shot that orients the audience for the scene
  16. 30. A shot of a person's face
Down
  1. 1. A shot made by placing the camera below the subject, angled upward. It exaggerates size, implies authority, give a "larger than life" feel, and/or grants gravitas/menace
  2. 2. A shot made by tilting the camera at an angle on the subject
  3. 4. A shot produced with a camera that moves smoothly alongside, behind, or ahead of the action
  4. 6. The space in a scene that the audience cannot see but knows contains something of importance to the story
  5. 7. A shot of the face and chest of a subject
  6. 8. A shot where the focus shifts among foreground, middle ground, and/or background planes
  7. 13. A shot where the subject appears relatively small against the background
  8. 15. A shot made by placing the camera level with the subject. It implies a connection between the viewer and characters on the screen.
  9. 16. An upward camera movement along an imaginary vertical axis
  10. 18. A technique that creates a washed-out image by bathing the film in excessive light
  11. 21. A shot of the subject from the waist up, where the subject is of moderate size
  12. 25. A shot that contains two figures. It can be long or medium
  13. 27. A single continuous shot of unusually long duration
  14. 28. A lens with variable focal length that can change the apparent distance between the camera and its subject