Across
- 1. How high or low a sound is. (p. 157)
- 4. A portion of the temporal lobe that contains the primary auditory cortex. (p. 159)
- 5. A listener’s experience of sound quality or resonance. (p. 158)
- 9. Methods that measure the strength of a stimulus and the observer’s sensitivity to that stimulus.
- 11. The idea that focused attention is not required to detect the individual features that comprise a stimulus, but is required to bind those individual features together. (p. 145)
- 13. The ability to see fine detail. (p. 134)
- 15. Photoreceptors that become active under low-light conditions for night vision. (p. 136)
- 18. The just noticeable difference of a stimulus is a constant proportion despite variations in intensity.
- 19. The perceptual experience of one sense that is evoked by another sense.
- 20. A fluid-filled tube that is the organ of auditory transduction. (p. 159)
- 21. The organ of taste transduction. (p. 169)
Down
- 1. Biochemical odorants emitted by other members of its species that can affect an animal’s behavior or physiology. (p. 167)
- 2. An observation that the response to a stimulus depends both on a person’s sensitivity to the stimulus in the presence of noise and on a person’s response criterion. (p. 131)
- 3. Specialized auditory receptor neurons embedded in the basilar membrane. (p. 159)
- 5. What takes place when many sensors in the body convert physical signals from the environment into encoded neural signals sent to the central nervous system.
- 6. The inability to recognize objects by sight. (p. 143)
- 7. The minimal change in a stimulus that can just barely be detected.
- 8. A sound’s intensity. (p. 157)
- 10. The active exploration of the environment by touching and grasping objects with our hands. (p. 162)
- 12. The process by which infants revise their schemas in light of new information. (p. 430)
- 14. Photoreceptors that detect color, operate under normal daylight conditions, and allow us to focus on fine detail. (p. 136)
- 16. An area of the retina where vision is the clearest and there are no rods at all. (p. 136)
- 17. The organization, identification, and interpretation of a sensation in order to form a mental representation.
