De Stijl

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Across
  1. 3. The De Stijl movement was a response to the ornate style of this earlier design movement. (7 letters)
  2. 4. The use of red, blue, yellow, black, and white in De Stijl design reflects a limited, flat ______ scheme. (6 letters)
  3. 10. A journal that Theo van Doesburg started, where De Stijl artists shared ideas and advocated for their artistic vision. (15 letters)
  4. 11. Theo van Doesburg and Piet Mondrian were key figures in this movement, which is also known as Neo-_________. (10 letters)
  5. 13. De Stijl artists aimed to reduce forms to basic geometric shapes, such as these right angles. (10 letters)
  6. 14. This architectural feature, common in De Stijl buildings like the Schröder House, is known for its flexibility and openness. (8 letters)
Down
  1. 1. Theo van Doesburg, one of the leaders of De Stijl, designed this distinctive, square-based typeface. (7 letters)
  2. 2. The De Stijl movement emphasized these two types of lines to create balance and structure in designs. (21 letters)
  3. 5. De Stijl artists used these basic colors, alongside black and white, to express their vision of universality. (7 letters)
  4. 6. The structure of the Schröder House was influenced by this De Stijl characteristic, focusing on horizontal and vertical components. (12 letters)
  5. 7. This movement, which started in 1917 in the Netherlands, aimed for universal harmony through pure abstraction. (7 letters)
  6. 8. The De Stijl movement’s focus on universal harmony and order was influenced by the aftermath of this major global event.(8 letters)
  7. 9. This type of design emphasized function and harmony, with minimal decoration and abstract forms. (8 letters)
  8. 12. One of the key artists of De Stijl, known for his abstract paintings and his quest for universal harmony through geometric forms. (8 letters)
  9. 15. Known for his work with furniture and architecture, this artist designed the famous Red and Blue Chair. (8 letters)