DFAC Crossword

2. Element of art derived from reflected light.
5. The centre of interest of an artwork; the part you look at first.
6. Refers to the movement within a piece of art that helps the eye travel through the to a point of focus.
7. A principle of art and design concerned with the arrangement of one or more elements in a work of art so that they appear.
11. Ukrainian-Canadian Sculptor.
12. Manitoban artist of "Bird Wrap".
13. Principle of design concerned with the size relationships of one part to the whole and one part to another.
15. Principle of design that stresses one element or area in a work of art to make it attract the viewer’s attention.
18. The arrangement of forms in a work of art.
20. Principle of design concerned with difference or contrast.
21. Refers to the way things feel or look as though they might feel if they were touched
22. One of the Indian Group of Seven who created many murals.
25. One of the Indian Group of Seven known for his watercolour work.
26. An enclosed space, a bounded two-dimensional form that has both length and width.
27. Use of opposites near or beside one another (light and dark, rough and smooth).

1. Refers to objects that are 3-Dimensional, or have length, width, and height.
3. An Icelandic–Danish artist known for sculptured and large-scale installation art employing elemental materials such as light, water, and air temperature.
4. Know for his woodcuts and watercolours of Lake of the Woods.
8. The specific material used by an artist, such as oil and brush; also, the vehicle used, such as sculpture, painting or photography.
9. Brightness of a colour.
10. An identifiable path of a point moving in space.
13. Two-dimensional decorative visual repetition.
14. The dark values of a colour (adding black).
16. Known as the Picasso of the North and founded the Woodland School of Art.
17. This Canadian artist creates abstract portraits.
19. Refers to emptiness or areas between, around, above, below or within objects.
23. The arrangement of one or more of the elements used to create a feeling of completeness. Everything in the work seems to belong and contribute to the overall picture.
24. Light or dark; the variations of light and dark on the surface of an object.