Across
- 1. The juxtaposition of different elements in a composition to create visual interest, emphasis, or drama. Contrast can be achieved through differences in color, value, texture, size, or shape.
- 4. The path the viewer's eye takes through a composition, guided by visual elements such as lines, shapes, and implied motion. Movement can create a sense of flow, rhythm, or narrative progression in artworks.
- 6. The distribution of visual weight in a composition, which can be symmetrical (equal weight on both sides), asymmetrical (unequal balance), or radial (balanced around a central point).
- 9. The path of a moving point. Lines can be straight, curved, thick, thin, vertical, horizontal, diagonal, or zigzag.
- 11. The three-dimensional aspect of an object, which has height, width, and depth. Forms can be geometric (e.g., cubes, spheres) or organic (natural and irregular).
- 12. Repetition of elements or motifs in a regular and organized manner. Patterns can be decorative, structural, or symbolic, and they can create visual harmony and rhythm in compositions.
- 14. A two-dimensional area defined by boundaries such as lines or color. Shapes can be geometric (e.g., squares, circles) or organic (irregular and flowing).
- 15. The area around, between, or within objects in a composition. Space can be positive (occupied by objects) or negative (empty), and it can create depth and perspective in artworks.
Down
- 2. The repetition or alternation of elements in a composition to create a sense of visual movement or flow. Rhythm can be regular, irregular, fast, slow, or syncopated, like in music.
- 3. The surface quality or feel of an object, which can be perceived through touch or visually simulated. Texture can be actual (tactile) or implied (visual).
- 5. The harmonious integration of all elements and principles in a composition, creating a sense of wholeness or completeness. Unity ensures that all parts of an artwork contribute to the overall message or meaning.
- 7. A mark made by a tool, which has length and direction. Lines can vary in thickness, direction, and curvature, and they can be used to define shapes, create texture, or imply movement.
- 8. The visual sensation produced by the reflection or absorption of light. Colors have three properties: hue (the name of the color), value (lightness or darkness), and intensity (brightness or dullness).
- 10. The focal point or center of interest in a composition, which attracts the viewer's attention and creates hierarchy. Emphasis can be achieved through contrast, isolation, placement, or repetition of elements.
- 13. The relative lightness or darkness of a color or tone. Value is important for creating contrast, defining form, and conveying mood in artworks.
