Elements of Art, Principles of Design, Art Command Terms

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Across
  1. 2. is light reflected off of objects.

Texture is the surface quality that can be seen and felt.
  2. 5. Offer for display, observation, examination or consideration.
  3. 7. Provide a critical review or commentary, especially when dealing with works of art or literature.
  4. 11. Give a brief account.
  5. 15. is a mark with greater length than width. It can be horizontal, vertical, or diagonal; straight or curved; thick or thin.
  6. 16. is the feeling of unity created when all parts (sizes, amounts, or number) relate well with each other.
  7. 17. is the distribution of the visual weight of objects, colors, texture, and space.
  8. 19. Prove or make clear by reasoning or evidence, illustrating with examples or practical application.
  9. 20. is the area between and around objects.
  10. 21. Undertake a systematic process of discovery.
  11. 22. To improve incrementally, elaborate or expand in detail. Evolve to a more advanced or effective state.
  12. 23. is the repeating of an object or symbol all over the work of art.
  13. 24. is the feeling of harmony between all parts of the work of art, which creates a sense of completeness.
Down
  1. 1. is the use of several elements of design to hold the viewer’s attention and to guide the viewer’s eye through and around the work of art.
  2. 3. works with pattern to make the work of art seem active.
  3. 4. The action required to evolve ones thoughts or imaginings into a work, product, outcome or invention.
  4. 6. Express precisely and systematically the relevant concept(s) or argument(s).
  5. 8. is created when one or more elements of design are used repeatedly to create a feeling of organized movement.
  6. 9. Provide an answer from a number of possibilities. Recognize and state briefly a distinguishing fact or feature.
  7. 10. is a closed line. It can be geometric, or organic. They are flat.
  8. 12. Assess the implications and limitations; make judgements about the ideas, work, solutions or methods in relation to selected criteria.
  9. 13. is the path the viewer’s eye takes through the work of art.
  10. 14. these are three-dimensional shapes expressing length, width, and depth.
  11. 18. Apply knowledge or rules to put theory into practice.
  12. 21. is the part of the design that catches the viewer’s attention.