Fencing- Theatre A

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Across
  1. 3. /The proper measure between two or more combatants to safely execute any particular technique in stage combat.
  2. 5. /A defensive action (made by a sword, dagger, shield, hand, etc.) which blocks or deflects an attack. When executed with a blade, the parry is generally made edge to edge, its forte against the opposing blade's foible.
  3. 8. /a.) noun. The act of removing the blade from contact with the partner's blade. b.) verb.
  4. 11. Hand /The non-weapon bearing hand used to block, check, lock, parry, strike or trap the opposing weapon or parts of a partner's body.
  5. 12. /An attack made with the point of the weapon.
  6. 13. /An action in the footwork that carries the body backward by moving the rear foot first and then the lead foot (without crossing them). Opposite of Advance.
  7. 15. /(also Cue-Reaction-Action, and Preparation-Reaction-Action) The process of giving and taking focus during a physical argument.
  8. 16. /Any foot movement that takes the combatant off line.
  9. 17. /A return attack made by a defender immediately following a successful parry.
  10. 19. Attack /An attack made into an attack, either cut or thrust, which is intended to hit the opponent before the final movement of the opponent's attack is executed.
  11. 20. /(also Recipient) The actor/combatant on the receiving end of any given attack.
  12. 22. /The "extended" leg position used as a method of reaching the other combatant on an attack. To lunge, the leading leg extends forward in a long step, while the trailing leg is flat on ground for balance.
  13. 24. /A technique for creating the sound of impact of a non-contact blow to help heighten the illusion that contact has been made.
Down
  1. 1. Attack /Any aggressive or offensive action, usually in close distance, delivered with the pommel of a weapon.
  2. 2. /The process in which two or more combatants actively work together to safely and effectively make nonviolent actions appear dangerous and real.
  3. 4. /An action of the blade or body that appears to force the weapon from the hand of one's partner.
  4. 6. /(also Fencing Step) Footwork carrying the body forward by moving the lead foot first, followed with the lag foot (without crossing them). The opposite of Retreat.
  5. 7. /(also Aggressor) The actor/ combatant who sets upon, attacks, or assails another; the one executing the violent action.
  6. 9. Contact /A "cue" or "check point" in a fight that has the combatants frequently look in their partner's eyes to assure mutual awareness and readiness to perform the techniques.
  7. 10. /A stroke, blow or attack made with the edge of a blade.
  8. 14. /The crossing, joining or touching of blades.
  9. 18. Measure /Correct distance between combatants when performing stage swordplay. A distance of six to ten inches from one's opponent at full extension after executing any offensive footwork.
  10. 21. /(also Parry) A defensive action made with the hand or arm intended to stop a punch or similar attack. A block can be made on either side of the body and in all lines.
  11. 23. Guarde /(also On Guard) The basic physical "ready" position of a combatant.