Film Editing and Lighting

3. The artistic technique of arranging light and dark elements in pictorial composition.
5. Intercutting shots from two or more sequences, actions, or stories to suggest parallel action.
6. Is a way of ending a scene where the film appears to stop and the image is “frozen” or held for a few seconds.
8. A technique for beginning of scene whereby an image gradually appears on a blackened screen, finally brightening into full visibility.
10. An optical process whereby one image appears to wipe the preceding image off the screen - a common transitional device in the 1930s.
11. The main light on a set, normally placed at a 45° angle to the camera-subject axis.
13. Lighting that is directed at the camera from behind the subject, thus silhouetting it.
15. A cut that is made in the midst of a continuous shot rather than between shots.
17. Moving from one image or shot to another by editing.
18. The use of extremely concentrated or flying light beams to accentuate certain parts of the subject.

1. The new image appears as an expanding circle in the middle of the old image, or the old image becomes a contracting circle that disappears into the new image.
2. The secondary light that illuminates the subject from the side or that lights areas not lit by the key light.
4. The first image is held while the second image comes out onto the scene; The two images can be seen at one time
7. Opposite of a fade-in
9. A lighting setup in which the key like is particularly bright.
12. The technique used to shoot night scenes during the day. The necessary effect is created by using special camera filters or by special film processing.
14. A cut in which two different shots are linked together by visual, aural, or metaphorical parallelism.
16. This is a transition that superimposes fade-out over a fade-in.